Jules Lavirotte (1864-1929) ou l’Art nouveau symboliste

Built from 1898 to 1901 in Paris, the buildings of Avenue Rapp by Jules Lavirotte (1864-1929) are as well known as little studied. Although rehabilitated since the 1960s, Art Nouveau remains a formidable moment of aesthetic and social utopia whose spiritual foundations remain unclear, due in particu...

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Main Author: Bruno Montamat
Format: Article
Language:fra
Published: Ministère de la culture 2021-03-01
Series:Les Cahiers de la Recherche Architecturale, Urbaine et Paysagère
Subjects:
Online Access:https://journals.openedition.org/craup/6556
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author Bruno Montamat
author_facet Bruno Montamat
author_sort Bruno Montamat
collection DOAJ
description Built from 1898 to 1901 in Paris, the buildings of Avenue Rapp by Jules Lavirotte (1864-1929) are as well known as little studied. Although rehabilitated since the 1960s, Art Nouveau remains a formidable moment of aesthetic and social utopia whose spiritual foundations remain unclear, due in particular to the lack of primary sources. The study of unpublished family archives from the architect’s wife, the painter Jane de Montchenu (1857-1924) allows the writing of a sensitive biography, more able to grasp the exuberance of an idealistic architectural signature. Its inscription in a late-century symbolism opens up promising new fields of research by taking into account the sacred in private architecture and by the emancipatory role played by female artist. It would illustrate the dissemination at work of theosophical ideas in the formal development of the first current of Art Nouveau, Modern style.
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spelling doaj.art-c25cba6ad29e497ca8539bb77494c60f2024-02-14T14:06:52ZfraMinistère de la cultureLes Cahiers de la Recherche Architecturale, Urbaine et Paysagère2606-74982021-03-0110.4000/craup.6556Jules Lavirotte (1864-1929) ou l’Art nouveau symbolisteBruno MontamatBuilt from 1898 to 1901 in Paris, the buildings of Avenue Rapp by Jules Lavirotte (1864-1929) are as well known as little studied. Although rehabilitated since the 1960s, Art Nouveau remains a formidable moment of aesthetic and social utopia whose spiritual foundations remain unclear, due in particular to the lack of primary sources. The study of unpublished family archives from the architect’s wife, the painter Jane de Montchenu (1857-1924) allows the writing of a sensitive biography, more able to grasp the exuberance of an idealistic architectural signature. Its inscription in a late-century symbolism opens up promising new fields of research by taking into account the sacred in private architecture and by the emancipatory role played by female artist. It would illustrate the dissemination at work of theosophical ideas in the formal development of the first current of Art Nouveau, Modern style.https://journals.openedition.org/craup/6556ArchitectureLavirotteArt nouveauModern StyleGuimardHorta
spellingShingle Bruno Montamat
Jules Lavirotte (1864-1929) ou l’Art nouveau symboliste
Les Cahiers de la Recherche Architecturale, Urbaine et Paysagère
Architecture
Lavirotte
Art nouveau
Modern Style
Guimard
Horta
title Jules Lavirotte (1864-1929) ou l’Art nouveau symboliste
title_full Jules Lavirotte (1864-1929) ou l’Art nouveau symboliste
title_fullStr Jules Lavirotte (1864-1929) ou l’Art nouveau symboliste
title_full_unstemmed Jules Lavirotte (1864-1929) ou l’Art nouveau symboliste
title_short Jules Lavirotte (1864-1929) ou l’Art nouveau symboliste
title_sort jules lavirotte 1864 1929 ou l art nouveau symboliste
topic Architecture
Lavirotte
Art nouveau
Modern Style
Guimard
Horta
url https://journals.openedition.org/craup/6556
work_keys_str_mv AT brunomontamat juleslavirotte18641929oulartnouveausymboliste