Juan José Saer, a medio escribir

This object of this work is to analyse the genetic dossier of La ocasión, in order to identify gestures and mechanisms of the creative process, and to somehow reconstruct Saer’s poetics of writing as analogical and complementary to his poetics of the text. Other than the preparatory or prewriting ma...

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Main Author: Mariana Di Ció
Format: Article
Language:Spanish
Published: Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata 2011-11-01
Series:Cuadernos LIRICO
Online Access:https://journals.openedition.org/lirico/235
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author Mariana Di Ció
author_facet Mariana Di Ció
author_sort Mariana Di Ció
collection DOAJ
description This object of this work is to analyse the genetic dossier of La ocasión, in order to identify gestures and mechanisms of the creative process, and to somehow reconstruct Saer’s poetics of writing as analogical and complementary to his poetics of the text. Other than the preparatory or prewriting material (reading notes, research, planning, storyboarding, lists and other comments scattered in notebooks and folders), there is some written or rather “half written” material: a few pages from a notebook with three different beginnings (amongst which the published incipit) and the first few pages of the published novel. There are also two versions (one handwritten and one typed manuscript) of a story from the sixties also titled “La ocasión”, whose relation to the novel we will examine.
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publishDate 2011-11-01
publisher Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
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spelling doaj.art-c261f78a3ac04f86b39291f62308e1c42024-02-14T12:57:54ZspaRéseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la PlataCuadernos LIRICO2262-83392011-11-01615917210.4000/lirico.235Juan José Saer, a medio escribirMariana Di CióThis object of this work is to analyse the genetic dossier of La ocasión, in order to identify gestures and mechanisms of the creative process, and to somehow reconstruct Saer’s poetics of writing as analogical and complementary to his poetics of the text. Other than the preparatory or prewriting material (reading notes, research, planning, storyboarding, lists and other comments scattered in notebooks and folders), there is some written or rather “half written” material: a few pages from a notebook with three different beginnings (amongst which the published incipit) and the first few pages of the published novel. There are also two versions (one handwritten and one typed manuscript) of a story from the sixties also titled “La ocasión”, whose relation to the novel we will examine.https://journals.openedition.org/lirico/235
spellingShingle Mariana Di Ció
Juan José Saer, a medio escribir
Cuadernos LIRICO
title Juan José Saer, a medio escribir
title_full Juan José Saer, a medio escribir
title_fullStr Juan José Saer, a medio escribir
title_full_unstemmed Juan José Saer, a medio escribir
title_short Juan José Saer, a medio escribir
title_sort juan jose saer a medio escribir
url https://journals.openedition.org/lirico/235
work_keys_str_mv AT marianadicio juanjosesaeramedioescribir