THE CANTATA OF PEACE BY A. STARCEA AS AN EXAMPLE OF THE COMPOSER’S CANTATA CREATION

In this article is considered the „Cantata of Peace” by A. Starcea as a work that reflects the characteristics of the composer’s cantata creation, as well as a model of the Soviet cantatas of the early period in the development of this genre in Moldova. The author analyzes the features of the musica...

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Main Author: KUZNEŢOVA NADEJDA
Format: Article
Language:deu
Published: Notograf Prim 2016-06-01
Series:Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
Subjects:
Online Access:http://revista.amtap.md/wp-content/files_mf/1508411609Cuznetova_KantatamiraA.Styirchi.pdf
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author KUZNEŢOVA NADEJDA
author_facet KUZNEŢOVA NADEJDA
author_sort KUZNEŢOVA NADEJDA
collection DOAJ
description In this article is considered the „Cantata of Peace” by A. Starcea as a work that reflects the characteristics of the composer’s cantata creation, as well as a model of the Soviet cantatas of the early period in the development of this genre in Moldova. The author analyzes the features of the musical treatment of the poetic text and its structure, paying special attention to the musical thematism, the timbre-textured quality and architectonic form of the musical composition. In the end, is drawn the conclusion about its typological belonging to the cantata-song genre.
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spelling doaj.art-c262d667fbf14664b932c36f3c556b682022-12-21T17:33:17ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-14082345-18312016-06-011(28)3641THE CANTATA OF PEACE BY A. STARCEA AS AN EXAMPLE OF THE COMPOSER’S CANTATA CREATIONKUZNEŢOVA NADEJDA0Transnistrian Institute of ArtsIn this article is considered the „Cantata of Peace” by A. Starcea as a work that reflects the characteristics of the composer’s cantata creation, as well as a model of the Soviet cantatas of the early period in the development of this genre in Moldova. The author analyzes the features of the musical treatment of the poetic text and its structure, paying special attention to the musical thematism, the timbre-textured quality and architectonic form of the musical composition. In the end, is drawn the conclusion about its typological belonging to the cantata-song genre.http://revista.amtap.md/wp-content/files_mf/1508411609Cuznetova_KantatamiraA.Styirchi.pdfcantataAlexei Starcea„Cantata of Peace”cantata-songsong styleformtexture. choirpoetrychoir
spellingShingle KUZNEŢOVA NADEJDA
THE CANTATA OF PEACE BY A. STARCEA AS AN EXAMPLE OF THE COMPOSER’S CANTATA CREATION
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
cantata
Alexei Starcea
„Cantata of Peace”
cantata-song
song style
form
texture. choir
poetry
choir
title THE CANTATA OF PEACE BY A. STARCEA AS AN EXAMPLE OF THE COMPOSER’S CANTATA CREATION
title_full THE CANTATA OF PEACE BY A. STARCEA AS AN EXAMPLE OF THE COMPOSER’S CANTATA CREATION
title_fullStr THE CANTATA OF PEACE BY A. STARCEA AS AN EXAMPLE OF THE COMPOSER’S CANTATA CREATION
title_full_unstemmed THE CANTATA OF PEACE BY A. STARCEA AS AN EXAMPLE OF THE COMPOSER’S CANTATA CREATION
title_short THE CANTATA OF PEACE BY A. STARCEA AS AN EXAMPLE OF THE COMPOSER’S CANTATA CREATION
title_sort cantata of peace by a starcea as an example of the composer s cantata creation
topic cantata
Alexei Starcea
„Cantata of Peace”
cantata-song
song style
form
texture. choir
poetry
choir
url http://revista.amtap.md/wp-content/files_mf/1508411609Cuznetova_KantatamiraA.Styirchi.pdf
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