Predictability effects in auditory scene analysis: A review

Many sound sources emit signals in a predictable manner. The idea that predictability can be exploited to support the segregation of one source’s signal emissions from the overlapping signals of other sources has been expressed for a long time. Yet experimental evidence for a strong role of predicta...

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Main Author: Alexandra eBendixen
Format: Article
Language:English
Published: Frontiers Media S.A. 2014-03-01
Series:Frontiers in Neuroscience
Subjects:
Online Access:http://journal.frontiersin.org/Journal/10.3389/fnins.2014.00060/full
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author Alexandra eBendixen
author_facet Alexandra eBendixen
author_sort Alexandra eBendixen
collection DOAJ
description Many sound sources emit signals in a predictable manner. The idea that predictability can be exploited to support the segregation of one source’s signal emissions from the overlapping signals of other sources has been expressed for a long time. Yet experimental evidence for a strong role of predictability within auditory scene analysis (ASA) has been scarce. Recently, there has been an upsurge in experimental and theoretical work on this topic resulting from fundamental changes in our perspective on how the brain extracts predictability from series of sensory events. Based on effortless predictive processing in the auditory system, it becomes more plausible that predictability would be available as a cue for sound source decomposition. In the present contribution, empirical evidence for such a role of predictability in ASA will be reviewed. It will be shown that predictability affects ASA both when it is present in the sound source of interest (perceptual foreground) and when it is present in other sound sources that the listener wishes to ignore (perceptual background). First evidence pointing towards age-related impairments in the latter capacity will be addressed. Moreover, it will be illustrated how effects of predictability can be shown by means of objective listening tests as well as by subjective report procedures, with the latter approach typically exploiting the multi-stable nature of auditory perception. Critical aspects of study design will be delineated to ensure that predictability effects can be unambiguously interpreted. Possible mechanisms for a functional role of predictability within ASA will be discussed, and an analogy with the old-plus-new heuristic for grouping simultaneous acoustic signals will be suggested.
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spelling doaj.art-c2df60f78ae64fe9983367698750b0cb2022-12-22T01:12:15ZengFrontiers Media S.A.Frontiers in Neuroscience1662-453X2014-03-01810.3389/fnins.2014.0006086950Predictability effects in auditory scene analysis: A reviewAlexandra eBendixen0Carl von Ossietzky University of OldenburgMany sound sources emit signals in a predictable manner. The idea that predictability can be exploited to support the segregation of one source’s signal emissions from the overlapping signals of other sources has been expressed for a long time. Yet experimental evidence for a strong role of predictability within auditory scene analysis (ASA) has been scarce. Recently, there has been an upsurge in experimental and theoretical work on this topic resulting from fundamental changes in our perspective on how the brain extracts predictability from series of sensory events. Based on effortless predictive processing in the auditory system, it becomes more plausible that predictability would be available as a cue for sound source decomposition. In the present contribution, empirical evidence for such a role of predictability in ASA will be reviewed. It will be shown that predictability affects ASA both when it is present in the sound source of interest (perceptual foreground) and when it is present in other sound sources that the listener wishes to ignore (perceptual background). First evidence pointing towards age-related impairments in the latter capacity will be addressed. Moreover, it will be illustrated how effects of predictability can be shown by means of objective listening tests as well as by subjective report procedures, with the latter approach typically exploiting the multi-stable nature of auditory perception. Critical aspects of study design will be delineated to ensure that predictability effects can be unambiguously interpreted. Possible mechanisms for a functional role of predictability within ASA will be discussed, and an analogy with the old-plus-new heuristic for grouping simultaneous acoustic signals will be suggested.http://journal.frontiersin.org/Journal/10.3389/fnins.2014.00060/fullintegrationpredictive codingbistable perceptionsound processingauditory stream segregationold-plus-new heuristic
spellingShingle Alexandra eBendixen
Predictability effects in auditory scene analysis: A review
Frontiers in Neuroscience
integration
predictive coding
bistable perception
sound processing
auditory stream segregation
old-plus-new heuristic
title Predictability effects in auditory scene analysis: A review
title_full Predictability effects in auditory scene analysis: A review
title_fullStr Predictability effects in auditory scene analysis: A review
title_full_unstemmed Predictability effects in auditory scene analysis: A review
title_short Predictability effects in auditory scene analysis: A review
title_sort predictability effects in auditory scene analysis a review
topic integration
predictive coding
bistable perception
sound processing
auditory stream segregation
old-plus-new heuristic
url http://journal.frontiersin.org/Journal/10.3389/fnins.2014.00060/full
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