The arts of attention and Oslo Architecture Triennale

This paper starts from a two-fold observation: firstly, that attention rests at the core of our environmental challenges; and secondly, that by becoming (more) attentive to the modified, transformed, and controlled urban environments in which we dwell, we may be better equipped to attend to these c...

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Main Author: Cecilie Sachs Olsen
Format: Article
Language:English
Published: OsloMet — Oslo Metropolitan University 2024-01-01
Series:Nordic Journal of Art and Research
Subjects:
Online Access:https://journals.oslomet.no/index.php/ar/article/view/5284
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author Cecilie Sachs Olsen
author_facet Cecilie Sachs Olsen
author_sort Cecilie Sachs Olsen
collection DOAJ
description This paper starts from a two-fold observation: firstly, that attention rests at the core of our environmental challenges; and secondly, that by becoming (more) attentive to the modified, transformed, and controlled urban environments in which we dwell, we may be better equipped to attend to these challenges. The paper therefore develops and introduces “an urban attention ecology” that seeks to expand our ability to attend to urban form in ways that open possibilities to critically address and creatively negotiate the ways in which cities are built and inhabited. The potentials and challenges of the urban attention ecology are thought through in a practice-based account of a broad range of critical spatial practices centring around the theme of degrowth. These practices took the form of performances, installations, and other artistic projects that the author gathered, developed and presented as curator of the Oslo Architecture Triennale 2019. Cover photo: The Factory of the Future at the Norwegian Centre for Design and Architecture. OAT / Istvan Virag.
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spelling doaj.art-c314b69dd3704f3d8fe753ca4a5319352024-01-31T18:14:05ZengOsloMet — Oslo Metropolitan UniversityNordic Journal of Art and Research2535-73282024-01-0113110.7577/ar.5284The arts of attention and Oslo Architecture TriennaleCecilie Sachs Olsen0Oslo Metropolitan University This paper starts from a two-fold observation: firstly, that attention rests at the core of our environmental challenges; and secondly, that by becoming (more) attentive to the modified, transformed, and controlled urban environments in which we dwell, we may be better equipped to attend to these challenges. The paper therefore develops and introduces “an urban attention ecology” that seeks to expand our ability to attend to urban form in ways that open possibilities to critically address and creatively negotiate the ways in which cities are built and inhabited. The potentials and challenges of the urban attention ecology are thought through in a practice-based account of a broad range of critical spatial practices centring around the theme of degrowth. These practices took the form of performances, installations, and other artistic projects that the author gathered, developed and presented as curator of the Oslo Architecture Triennale 2019. Cover photo: The Factory of the Future at the Norwegian Centre for Design and Architecture. OAT / Istvan Virag. https://journals.oslomet.no/index.php/ar/article/view/5284attentionarchitecturecritical spatial practicedegrowthecologyurban
spellingShingle Cecilie Sachs Olsen
The arts of attention and Oslo Architecture Triennale
Nordic Journal of Art and Research
attention
architecture
critical spatial practice
degrowth
ecology
urban
title The arts of attention and Oslo Architecture Triennale
title_full The arts of attention and Oslo Architecture Triennale
title_fullStr The arts of attention and Oslo Architecture Triennale
title_full_unstemmed The arts of attention and Oslo Architecture Triennale
title_short The arts of attention and Oslo Architecture Triennale
title_sort arts of attention and oslo architecture triennale
topic attention
architecture
critical spatial practice
degrowth
ecology
urban
url https://journals.oslomet.no/index.php/ar/article/view/5284
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