Mixed loves with a belic landscape: the collaborationist policy in French Suite by Irène Némirovsky
Irène Némirovsky writes one of the earliest literary evidence of the Second World War as the novelistic tempo is adjacent to the events of history simultaneously. the recent film version of the bestseller (Saul Dibb, 2015) serves one of the two accounts preserved, Dolce, on the first German occupati...
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| Format: | Article |
| Language: | Catalan |
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Universidad Complutense de Madrid
2017-05-01
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| Series: | Revista de Filología Románica |
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| Online Access: | http://revistas.ucm.es/index.php/RFRM/article/view/55835 |
| Summary: | Irène Némirovsky writes one of the earliest literary evidence of the Second World War as the novelistic tempo is adjacent to the events of history simultaneously. the recent film version of the bestseller (Saul Dibb, 2015) serves one of the two accounts preserved, Dolce, on the first German occupation of France in 1940. Away from the romantic narrative, film and narrative story organized one descriptive picture –detailed exemple of description style author– discovering the intimate and sensitive wars subsumed in the great decorated international conflict, in which the predictable cruelty, death and unreason stand in continuity with courage, solidarity and moral integrity unlikely. of the two conserved parts, the first (Storm in June) is articulated on fixing Storyboards vision in the slaughter; the second, Dulce, is a novel that delves into the various forms of collaboration. |
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| ISSN: | 0212-999X 1988-2815 |