Palhaço Fenomenológico

This article introduces the ‘Poetics of the Clown’, a Ph.D thesis submitted in 2016 to the RCSSD, University of London. This thesis proposes a poetics of clown based on the phenomenological analysis of the core principles of clown practice. This article in particular, seeks to relat...

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Main Author: Marcelo de Almeida Libanio
Format: Article
Language:Portuguese
Published: Universidade Federal de Goiás 2016-12-01
Series:Arte da Cena
Online Access:https://www.revistas.ufg.br/artce/article/view/43512/22487
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author Marcelo de Almeida Libanio
author_facet Marcelo de Almeida Libanio
author_sort Marcelo de Almeida Libanio
collection DOAJ
description This article introduces the ‘Poetics of the Clown’, a Ph.D thesis submitted in 2016 to the RCSSD, University of London. This thesis proposes a poetics of clown based on the phenomenological analysis of the core principles of clown practice. This article in particular, seeks to relate these principles to the concept of misfitness. In pursuing this hypothesis of misfitness, the article examines the clown as a pragmatic doer – the initial premise is: a clown is what a clown does. It is not through essence but through the practices of clowning that we can identify what ‘makes’ a clown: not the ‘inner clown’ but the ‘outer clown’ – in a Heideggerian sense – the clown as embodied ‘being-in-the-world’
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spelling doaj.art-c32a0179b84b4cec8fb4fd65c7f5cbdd2022-12-21T17:25:45ZporUniversidade Federal de GoiásArte da Cena2358-60602016-12-0123116Palhaço FenomenológicoMarcelo de Almeida Libanio0Royal Central School of Speech and DramaSecretaria de Estado de Educação DFThis article introduces the ‘Poetics of the Clown’, a Ph.D thesis submitted in 2016 to the RCSSD, University of London. This thesis proposes a poetics of clown based on the phenomenological analysis of the core principles of clown practice. This article in particular, seeks to relate these principles to the concept of misfitness. In pursuing this hypothesis of misfitness, the article examines the clown as a pragmatic doer – the initial premise is: a clown is what a clown does. It is not through essence but through the practices of clowning that we can identify what ‘makes’ a clown: not the ‘inner clown’ but the ‘outer clown’ – in a Heideggerian sense – the clown as embodied ‘being-in-the-world’https://www.revistas.ufg.br/artce/article/view/43512/22487
spellingShingle Marcelo de Almeida Libanio
Palhaço Fenomenológico
Arte da Cena
title Palhaço Fenomenológico
title_full Palhaço Fenomenológico
title_fullStr Palhaço Fenomenológico
title_full_unstemmed Palhaço Fenomenológico
title_short Palhaço Fenomenológico
title_sort palhaco fenomenologico
url https://www.revistas.ufg.br/artce/article/view/43512/22487
work_keys_str_mv AT marcelodealmeidalibanio palhacofenomenologico