The Teatro Sant'Angelo : cradle of fledgling opera troupes

Many smaller theaters of the mid-eighteenth century were established in conjunction with the establishment of Italian traveling troupes. Several troupes were formed by musicians active at the Teatro Sant'Angelo, Venice. Although Vivaldi was not personally involved in any of the troupes, the mus...

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Main Author: Eleanor Selfridge-Field
Format: Article
Language:ces
Published: Masaryk University, Faculty of Arts 2018-12-01
Series:Musicologica Brunensia
Subjects:
Online Access:https://journals.phil.muni.cz/musicologica-brunensia/article/view/23912
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author Eleanor Selfridge-Field
author_facet Eleanor Selfridge-Field
author_sort Eleanor Selfridge-Field
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description Many smaller theaters of the mid-eighteenth century were established in conjunction with the establishment of Italian traveling troupes. Several troupes were formed by musicians active at the Teatro Sant'Angelo, Venice. Although Vivaldi was not personally involved in any of the troupes, the musical imprint of his operas was strong in the mix of pastiches that served several Central European venues. The musical evidence of these performances is almost entirely lost, but the troupes are traceable through libretti. The degree to which the Teatro Sant'Angelo contributed both troupe leaders and troupe musicians stands out among all theaters in Northern Italy. The reach of its musicians, particularly those of the Madonis family, extended to Belgium, France, Hesse, Bavaria, Saxony, Bohemia, Moravia, Poland, and Russia.
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spelling doaj.art-c362d3d2e89c41ca9e63dab178d0c9e82023-09-06T09:09:42ZcesMasaryk University, Faculty of ArtsMusicologica Brunensia1212-03912336-436X2018-12-0153Supplementum10.5817/MB2018-S-11The Teatro Sant'Angelo : cradle of fledgling opera troupesEleanor Selfridge-FieldMany smaller theaters of the mid-eighteenth century were established in conjunction with the establishment of Italian traveling troupes. Several troupes were formed by musicians active at the Teatro Sant'Angelo, Venice. Although Vivaldi was not personally involved in any of the troupes, the musical imprint of his operas was strong in the mix of pastiches that served several Central European venues. The musical evidence of these performances is almost entirely lost, but the troupes are traceable through libretti. The degree to which the Teatro Sant'Angelo contributed both troupe leaders and troupe musicians stands out among all theaters in Northern Italy. The reach of its musicians, particularly those of the Madonis family, extended to Belgium, France, Hesse, Bavaria, Saxony, Bohemia, Moravia, Poland, and Russia.https://journals.phil.muni.cz/musicologica-brunensia/article/view/23912Teatro Sant'Angeloopera troupesMadonis familyprose comedyFrancesco GaspariniAntonio Vivaldi
spellingShingle Eleanor Selfridge-Field
The Teatro Sant'Angelo : cradle of fledgling opera troupes
Musicologica Brunensia
Teatro Sant'Angelo
opera troupes
Madonis family
prose comedy
Francesco Gasparini
Antonio Vivaldi
title The Teatro Sant'Angelo : cradle of fledgling opera troupes
title_full The Teatro Sant'Angelo : cradle of fledgling opera troupes
title_fullStr The Teatro Sant'Angelo : cradle of fledgling opera troupes
title_full_unstemmed The Teatro Sant'Angelo : cradle of fledgling opera troupes
title_short The Teatro Sant'Angelo : cradle of fledgling opera troupes
title_sort teatro sant angelo cradle of fledgling opera troupes
topic Teatro Sant'Angelo
opera troupes
Madonis family
prose comedy
Francesco Gasparini
Antonio Vivaldi
url https://journals.phil.muni.cz/musicologica-brunensia/article/view/23912
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