<b>Diaspora conditions in <em>The Match</em></b> - DOI: 10.4025/actascilangcult.v31i1.5277

Romesh Gunesekera, a Sri Lankan born British writer, “a connoisseur of displacement” who has been “brought up on three separate islands – Sri Lanka, the Philippines and England” (IYER, 1995, p. 30) and a London resident since 1972, belongs to those “‘South Asian’ (diasporic) writers” (NASTA, 2000, p...

Full description

Bibliographic Details
Main Author: Susanne Pichler
Format: Article
Language:English
Published: Universidade Estadual de Maringá 2009-03-01
Series:Acta Scientiarum: Language and Culture
Online Access:https://periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/5277
_version_ 1811328431186509824
author Susanne Pichler
author_facet Susanne Pichler
author_sort Susanne Pichler
collection DOAJ
description Romesh Gunesekera, a Sri Lankan born British writer, “a connoisseur of displacement” who has been “brought up on three separate islands – Sri Lanka, the Philippines and England” (IYER, 1995, p. 30) and a London resident since 1972, belongs to those “‘South Asian’ (diasporic) writers” (NASTA, 2000, p. 96), who seeks to write (concepts of) ‘home’ from a series of multiple locations (NASTA, 2002, p. 216). In all of his texts, Gunesekera’s primary concern is not to (re)create a particular place, or a real landscape, it is rather how to write the diasporic stories of individual lives based on personal and highly private fragments of memories. The Match (GUNESEKERA, 2006), Gunesekera’s latest novel, takes up some of the themes already elaborated upon in his prize-winning short story collection Monkfish Moon (GUNESEKERA, 1992), or in the Booker Prize Finalist (1995), Reef (GUNESEKERA, 1994), a short novel: Sri Lankans (in)voluntarily leaving their ‘home’, faced with the intricacies of setting up ‘home’ way from ‘home’, frequently idealizing the place they have left behind, nostalgically yearning to re-turn, re-access and re-inhabit their homeland, only to realize – painfully, at times –, that this place cannot be returned to, and if it can, then only in their imagination. Longing to belong – geographically, mentally, spiritually -, through movement and attachment, Gunesekera’s characters are ‘on the move’, on a quest for the missing link in life, and, as the title of The Match intimates, they are on a quest for a “match” in life, i.e. on a quest for happiness, and purpose.
first_indexed 2024-04-13T15:24:50Z
format Article
id doaj.art-c3b172e128054a31b6c1e9e4d0160984
institution Directory Open Access Journal
issn 1983-4675
1983-4683
language English
last_indexed 2024-04-13T15:24:50Z
publishDate 2009-03-01
publisher Universidade Estadual de Maringá
record_format Article
series Acta Scientiarum: Language and Culture
spelling doaj.art-c3b172e128054a31b6c1e9e4d01609842022-12-22T02:41:32ZengUniversidade Estadual de MaringáActa Scientiarum: Language and Culture1983-46751983-46832009-03-0131110.4025/actascilangcult.v31i1.5277<b>Diaspora conditions in <em>The Match</em></b> - DOI: 10.4025/actascilangcult.v31i1.5277Susanne Pichler0University of InnsbruckRomesh Gunesekera, a Sri Lankan born British writer, “a connoisseur of displacement” who has been “brought up on three separate islands – Sri Lanka, the Philippines and England” (IYER, 1995, p. 30) and a London resident since 1972, belongs to those “‘South Asian’ (diasporic) writers” (NASTA, 2000, p. 96), who seeks to write (concepts of) ‘home’ from a series of multiple locations (NASTA, 2002, p. 216). In all of his texts, Gunesekera’s primary concern is not to (re)create a particular place, or a real landscape, it is rather how to write the diasporic stories of individual lives based on personal and highly private fragments of memories. The Match (GUNESEKERA, 2006), Gunesekera’s latest novel, takes up some of the themes already elaborated upon in his prize-winning short story collection Monkfish Moon (GUNESEKERA, 1992), or in the Booker Prize Finalist (1995), Reef (GUNESEKERA, 1994), a short novel: Sri Lankans (in)voluntarily leaving their ‘home’, faced with the intricacies of setting up ‘home’ way from ‘home’, frequently idealizing the place they have left behind, nostalgically yearning to re-turn, re-access and re-inhabit their homeland, only to realize – painfully, at times –, that this place cannot be returned to, and if it can, then only in their imagination. Longing to belong – geographically, mentally, spiritually -, through movement and attachment, Gunesekera’s characters are ‘on the move’, on a quest for the missing link in life, and, as the title of The Match intimates, they are on a quest for a “match” in life, i.e. on a quest for happiness, and purpose.https://periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/5277
spellingShingle Susanne Pichler
<b>Diaspora conditions in <em>The Match</em></b> - DOI: 10.4025/actascilangcult.v31i1.5277
Acta Scientiarum: Language and Culture
title <b>Diaspora conditions in <em>The Match</em></b> - DOI: 10.4025/actascilangcult.v31i1.5277
title_full <b>Diaspora conditions in <em>The Match</em></b> - DOI: 10.4025/actascilangcult.v31i1.5277
title_fullStr <b>Diaspora conditions in <em>The Match</em></b> - DOI: 10.4025/actascilangcult.v31i1.5277
title_full_unstemmed <b>Diaspora conditions in <em>The Match</em></b> - DOI: 10.4025/actascilangcult.v31i1.5277
title_short <b>Diaspora conditions in <em>The Match</em></b> - DOI: 10.4025/actascilangcult.v31i1.5277
title_sort b diaspora conditions in em the match em b doi 10 4025 actascilangcult v31i1 5277
url https://periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/5277
work_keys_str_mv AT susannepichler bdiasporaconditionsinemthematchembdoi104025actascilangcultv31i15277