A ideia de corpo e a configuração do ambiente da improvisação musical
The aim of this text is to highlight the importance of the idea of body to the debate about the musical improvisation environment. This type of real-time practice, which arises as a result of a direct relationship of the musicians with their instruments without the mediation of a score, has inevitab...
| Main Author: | |
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| Format: | Article |
| Language: | Portuguese |
| Published: |
Associação Nacional de Pesquisa e Pós-Graduação em Música
2008-12-01
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| Series: | Opus |
| Subjects: | |
| Online Access: | http://www.anppom.com.br/revista/index.php/opus/article/view/246 |
| _version_ | 1819062556236447744 |
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| author | Rogério Luiz Moraes Costa |
| author_facet | Rogério Luiz Moraes Costa |
| author_sort | Rogério Luiz Moraes Costa |
| collection | DOAJ |
| description | The aim of this text is to highlight the importance of the idea of body to the debate about the musical improvisation environment. This type of real-time practice, which arises as a result of a direct relationship of the musicians with their instruments without the mediation of a score, has inevitably, as its starting point, the body of the musicians involved. The body works as much as a factor for reproduction of possibilities - reflecting the limits of the body (repetition) - and as an enhanced production of virtualities – reasoned on an expansion of these limits (difference). This article then examines how the body can be understood as holding that double dynamism in the flow of improvisation, and in this context, what kind of relationship can be established with regard to sonorous material. We shall also establish the role of ideas of desire and pleasure in this dynamic setting and relate this discussion with the proposals of free and idiomatic improvisation. This discussion will use some concepts by Gilles Deleuze, such as territory and line of flight, Paul Zumthor’s reflections on body, orality and performance, and the epistemological discussions of Edgar Morin on knowledge and culture. |
| first_indexed | 2024-12-21T15:00:39Z |
| format | Article |
| id | doaj.art-c4d00672eb2a44efbfcea9d8154bf475 |
| institution | Directory Open Access Journal |
| issn | 0103-7412 1517-7017 |
| language | Portuguese |
| last_indexed | 2024-12-21T15:00:39Z |
| publishDate | 2008-12-01 |
| publisher | Associação Nacional de Pesquisa e Pós-Graduação em Música |
| record_format | Article |
| series | Opus |
| spelling | doaj.art-c4d00672eb2a44efbfcea9d8154bf4752022-12-21T18:59:37ZporAssociação Nacional de Pesquisa e Pós-Graduação em MúsicaOpus0103-74121517-70172008-12-011428799221A ideia de corpo e a configuração do ambiente da improvisação musicalRogério Luiz Moraes Costa0USPThe aim of this text is to highlight the importance of the idea of body to the debate about the musical improvisation environment. This type of real-time practice, which arises as a result of a direct relationship of the musicians with their instruments without the mediation of a score, has inevitably, as its starting point, the body of the musicians involved. The body works as much as a factor for reproduction of possibilities - reflecting the limits of the body (repetition) - and as an enhanced production of virtualities – reasoned on an expansion of these limits (difference). This article then examines how the body can be understood as holding that double dynamism in the flow of improvisation, and in this context, what kind of relationship can be established with regard to sonorous material. We shall also establish the role of ideas of desire and pleasure in this dynamic setting and relate this discussion with the proposals of free and idiomatic improvisation. This discussion will use some concepts by Gilles Deleuze, such as territory and line of flight, Paul Zumthor’s reflections on body, orality and performance, and the epistemological discussions of Edgar Morin on knowledge and culture.http://www.anppom.com.br/revista/index.php/opus/article/view/246improvisação livre e idiomáticacorpodesejopossibilidadesvirtualidades. |
| spellingShingle | Rogério Luiz Moraes Costa A ideia de corpo e a configuração do ambiente da improvisação musical Opus improvisação livre e idiomática corpo desejo possibilidades virtualidades. |
| title | A ideia de corpo e a configuração do ambiente da improvisação musical |
| title_full | A ideia de corpo e a configuração do ambiente da improvisação musical |
| title_fullStr | A ideia de corpo e a configuração do ambiente da improvisação musical |
| title_full_unstemmed | A ideia de corpo e a configuração do ambiente da improvisação musical |
| title_short | A ideia de corpo e a configuração do ambiente da improvisação musical |
| title_sort | ideia de corpo e a configuracao do ambiente da improvisacao musical |
| topic | improvisação livre e idiomática corpo desejo possibilidades virtualidades. |
| url | http://www.anppom.com.br/revista/index.php/opus/article/view/246 |
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