Cinematic Polyphony in Lucrecia Martel’s Cinema: The Musicality of Narrative Film in ‘The Headless Woman’

This paper provides an overview of the concept of musicality in fiction cinema language, understanding the comparative analysis of both art forms and considering cinema as a potentially musical construction. Furthermore, the examination of polyphonic musical textures and its methodical application i...

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Bibliographic Details
Main Author: Jerónimo Sarmiento
Format: Article
Language:English
Published: Lusófona University 2018-12-01
Series:International Journal of Film and Media Arts
Subjects:
Online Access:https://revistas.ulusofona.pt/index.php/ijfma/article/view/6757

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