Stravinsky’s Ragtime for Eleven Instruments: Historical and Stylistic Considerations

This is a historical and analytical study of Ragtime for Eleven Instruments by Igor Stravinsky (1882-1971). From a traditional ragtime stylistic approach (SCHAFER; RIEDEL, 1973. BERLIN, 1980), this study aims to search for evidence of popular elements in the compositional material of Ragtime for Ele...

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Main Author: Alexy Viegas
Format: Article
Language:Portuguese
Published: Associação Nacional de Pesquisa e Pós-Graduação em Música 2018-04-01
Series:Opus
Subjects:
Online Access:https://www.anppom.com.br/revista/index.php/opus/article/view/577
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author Alexy Viegas
author_facet Alexy Viegas
author_sort Alexy Viegas
collection DOAJ
description This is a historical and analytical study of Ragtime for Eleven Instruments by Igor Stravinsky (1882-1971). From a traditional ragtime stylistic approach (SCHAFER; RIEDEL, 1973. BERLIN, 1980), this study aims to search for evidence of popular elements in the compositional material of Ragtime for Eleven Instruments and any influence of ragtime arrangements in Stravinsky's piece. Disregarding historical evidence and statements by the composer himself who claimed to have had contact with instrumental parts of ragtime arrangements brought from America by his friend Ernest Ansermet, this comparative music analysis shows similar musical features between Ragtime for Eleven Instruments and examples from the High-Class Standard Rags collection.
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spelling doaj.art-c52ffd52ed1b42488cd2319e0a18d1d82022-12-22T00:03:20ZporAssociação Nacional de Pesquisa e Pós-Graduação em MúsicaOpus0103-74121517-70172018-04-0124183110.20504/opus2018a2401435Stravinsky’s Ragtime for Eleven Instruments: Historical and Stylistic ConsiderationsAlexy ViegasThis is a historical and analytical study of Ragtime for Eleven Instruments by Igor Stravinsky (1882-1971). From a traditional ragtime stylistic approach (SCHAFER; RIEDEL, 1973. BERLIN, 1980), this study aims to search for evidence of popular elements in the compositional material of Ragtime for Eleven Instruments and any influence of ragtime arrangements in Stravinsky's piece. Disregarding historical evidence and statements by the composer himself who claimed to have had contact with instrumental parts of ragtime arrangements brought from America by his friend Ernest Ansermet, this comparative music analysis shows similar musical features between Ragtime for Eleven Instruments and examples from the High-Class Standard Rags collection.https://www.anppom.com.br/revista/index.php/opus/article/view/577Musical analysisStravinskyRagtimepopular element.
spellingShingle Alexy Viegas
Stravinsky’s Ragtime for Eleven Instruments: Historical and Stylistic Considerations
Opus
Musical analysis
Stravinsky
Ragtime
popular element.
title Stravinsky’s Ragtime for Eleven Instruments: Historical and Stylistic Considerations
title_full Stravinsky’s Ragtime for Eleven Instruments: Historical and Stylistic Considerations
title_fullStr Stravinsky’s Ragtime for Eleven Instruments: Historical and Stylistic Considerations
title_full_unstemmed Stravinsky’s Ragtime for Eleven Instruments: Historical and Stylistic Considerations
title_short Stravinsky’s Ragtime for Eleven Instruments: Historical and Stylistic Considerations
title_sort stravinsky s ragtime for eleven instruments historical and stylistic considerations
topic Musical analysis
Stravinsky
Ragtime
popular element.
url https://www.anppom.com.br/revista/index.php/opus/article/view/577
work_keys_str_mv AT alexyviegas stravinskysragtimeforeleveninstrumentshistoricalandstylisticconsiderations