Post-Gendered Bodies and Relational Gender in Knights of Sidonia
This paper analyses representations of non-binary bodies in the animated television series Knights of Sidonia. For some time, posthumanist and gender studies have used the gendered body of the future in television series and other media as a framework to reflect on contemporary human bodies. How are...
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| Format: | Article |
| Language: | English |
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Finnish Society for Science Fiction and Fantasy Research
2019-06-01
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| Series: | Fafnir |
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| Online Access: | http://journal.finfar.org/articles/post-gendered-bodies-and-relational-gender-in-knights-of-sidonia/ |
| _version_ | 1819077199066562560 |
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| author | Roger Andre Søraa |
| author_facet | Roger Andre Søraa |
| author_sort | Roger Andre Søraa |
| collection | DOAJ |
| description | This paper analyses representations of non-binary bodies in the animated television series Knights of Sidonia. For some time, posthumanist and gender studies have used the gendered body of the future in television series and other media as a framework to reflect on contemporary human bodies. How are bodies imagined and experienced in this animated TV series, and how is our understanding formed by these representations? I argue that the bodies in Knights of Sidonia can be understood as “post-gendered”, which I analyse in relation to understandings of future gender representations drawn from science fiction.
The main case study is the character Izana who, in the first episode, proclaims an agender identity that is biologically sexed as neither male or female. Izana’s biological gender is presented throughout the series as relational: it changes in response to the character they are in love with. A close viewing and analysis of the two seasons released so far shows that, although Izana is initially presented as a character with an alternative third gender, their transition to female reinforces a heteronormative view of sexuality, as their attraction to a male character, Nagate, pushes them to develop female genitalia. This biological sex change prompts Izana to also develop a female gender identity, which I conceptualise as “relational gender”. Although it initially represents gender in a novel manner, the anime partly reinforces traditional gender norms. |
| first_indexed | 2024-12-21T18:53:24Z |
| format | Article |
| id | doaj.art-c530ba546ab345c28665db6c383bc36d |
| institution | Directory Open Access Journal |
| issn | 2342-2009 |
| language | English |
| last_indexed | 2024-12-21T18:53:24Z |
| publishDate | 2019-06-01 |
| publisher | Finnish Society for Science Fiction and Fantasy Research |
| record_format | Article |
| series | Fafnir |
| spelling | doaj.art-c530ba546ab345c28665db6c383bc36d2022-12-21T18:53:41ZengFinnish Society for Science Fiction and Fantasy ResearchFafnir2342-20092019-06-01615669Post-Gendered Bodies and Relational Gender in Knights of SidoniaRoger Andre Søraa0Norwegian University of Science and Technology (NTNU)This paper analyses representations of non-binary bodies in the animated television series Knights of Sidonia. For some time, posthumanist and gender studies have used the gendered body of the future in television series and other media as a framework to reflect on contemporary human bodies. How are bodies imagined and experienced in this animated TV series, and how is our understanding formed by these representations? I argue that the bodies in Knights of Sidonia can be understood as “post-gendered”, which I analyse in relation to understandings of future gender representations drawn from science fiction. The main case study is the character Izana who, in the first episode, proclaims an agender identity that is biologically sexed as neither male or female. Izana’s biological gender is presented throughout the series as relational: it changes in response to the character they are in love with. A close viewing and analysis of the two seasons released so far shows that, although Izana is initially presented as a character with an alternative third gender, their transition to female reinforces a heteronormative view of sexuality, as their attraction to a male character, Nagate, pushes them to develop female genitalia. This biological sex change prompts Izana to also develop a female gender identity, which I conceptualise as “relational gender”. Although it initially represents gender in a novel manner, the anime partly reinforces traditional gender norms.http://journal.finfar.org/articles/post-gendered-bodies-and-relational-gender-in-knights-of-sidonia/post-gendered bodycyborg anthropologyanimerelational genderposthuman sexualities |
| spellingShingle | Roger Andre Søraa Post-Gendered Bodies and Relational Gender in Knights of Sidonia Fafnir post-gendered body cyborg anthropology anime relational gender posthuman sexualities |
| title | Post-Gendered Bodies and Relational Gender in Knights of Sidonia |
| title_full | Post-Gendered Bodies and Relational Gender in Knights of Sidonia |
| title_fullStr | Post-Gendered Bodies and Relational Gender in Knights of Sidonia |
| title_full_unstemmed | Post-Gendered Bodies and Relational Gender in Knights of Sidonia |
| title_short | Post-Gendered Bodies and Relational Gender in Knights of Sidonia |
| title_sort | post gendered bodies and relational gender in knights of sidonia |
| topic | post-gendered body cyborg anthropology anime relational gender posthuman sexualities |
| url | http://journal.finfar.org/articles/post-gendered-bodies-and-relational-gender-in-knights-of-sidonia/ |
| work_keys_str_mv | AT rogerandresøraa postgenderedbodiesandrelationalgenderinknightsofsidonia |