Parameters of Perception: Vision, Audition, and Twentieth-Century Music and Dance

Recent experimental psychological research on visual perception, auditory perception, and cross-modal perception has shed light on how these processes differ, and how the relations between visual and auditory stimuli shade our understanding of the events perceived. This work offers a possible way in...

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Main Authors: Allen Fogelsanger, Kathleya Afanador
Format: Article
Language:English
Published: Maria Curie-Sklodowska University 2017-08-01
Series:Avant
Subjects:
Online Access:http://avant.edu.pl/wp-content/uploads/Fogelsanger-Afanador-Parameters-of-Perception.pdf
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author Allen Fogelsanger
Kathleya Afanador
author_facet Allen Fogelsanger
Kathleya Afanador
author_sort Allen Fogelsanger
collection DOAJ
description Recent experimental psychological research on visual perception, auditory perception, and cross-modal perception has shed light on how these processes differ, and how the relations between visual and auditory stimuli shade our understanding of the events perceived. This work offers a possible way into considering the question of how music and dance “go together” or not, and particularly may shed light on the unusual twentieth-century human behavior of NOT having music and dance “go together.” Our paper presents relevant research in perception, examines factors contributing to the separation of perceptual modalities that has often appeared in twentieth-century dance, and discusses the separation in terms of the specific behaviors of dancing and looking at dance.
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spelling doaj.art-c53440b0eeed40df9e89b523e72271fc2023-11-02T03:58:25ZengMaria Curie-Sklodowska UniversityAvant2082-67102017-08-0181597310.26913/80102017.0101.0004Parameters of Perception: Vision, Audition, and Twentieth-Century Music and DanceAllen FogelsangerKathleya AfanadorRecent experimental psychological research on visual perception, auditory perception, and cross-modal perception has shed light on how these processes differ, and how the relations between visual and auditory stimuli shade our understanding of the events perceived. This work offers a possible way into considering the question of how music and dance “go together” or not, and particularly may shed light on the unusual twentieth-century human behavior of NOT having music and dance “go together.” Our paper presents relevant research in perception, examines factors contributing to the separation of perceptual modalities that has often appeared in twentieth-century dance, and discusses the separation in terms of the specific behaviors of dancing and looking at dance.http://avant.edu.pl/wp-content/uploads/Fogelsanger-Afanador-Parameters-of-Perception.pdfperceptionvisionauditionmusicdance
spellingShingle Allen Fogelsanger
Kathleya Afanador
Parameters of Perception: Vision, Audition, and Twentieth-Century Music and Dance
Avant
perception
vision
audition
music
dance
title Parameters of Perception: Vision, Audition, and Twentieth-Century Music and Dance
title_full Parameters of Perception: Vision, Audition, and Twentieth-Century Music and Dance
title_fullStr Parameters of Perception: Vision, Audition, and Twentieth-Century Music and Dance
title_full_unstemmed Parameters of Perception: Vision, Audition, and Twentieth-Century Music and Dance
title_short Parameters of Perception: Vision, Audition, and Twentieth-Century Music and Dance
title_sort parameters of perception vision audition and twentieth century music and dance
topic perception
vision
audition
music
dance
url http://avant.edu.pl/wp-content/uploads/Fogelsanger-Afanador-Parameters-of-Perception.pdf
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