Senso e funzioni della fotografia nella poesia verbo-visiva
The essay analyses the essential role of photography in Visual Poetry experimentation, with specific reference to the European context. It aims to exemplify the complexity and aesthetic relevance of this kind of works within the twentieth-century phototexts. It also studies the relations between Vis...
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Format: | Article |
Language: | deu |
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Università degli Studi di Torino
2019-06-01
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Series: | CoSMO |
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Online Access: | https://www.ojs.unito.it/index.php/COSMO/article/view/3443 |
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author | Federico Fastelli |
author_facet | Federico Fastelli |
author_sort | Federico Fastelli |
collection | DOAJ |
description | The essay analyses the essential role of photography in Visual Poetry experimentation, with specific reference to the European context. It aims to exemplify the complexity and aesthetic relevance of this kind of works within the twentieth-century phototexts. It also studies the relations between Visual Poetry and the methodological acquisitions of visual culture studies. In this sense, a paradigmatic sampling of authors (L. Pignotti, L. Ori, E. Miccini, L. Marcucci) is proposed. In them, photography represents, through a constant dialectic with verbal language and pictorial sign, a construction that is a sort of interlingua or super-language to be opposed to advertising. |
first_indexed | 2024-12-19T15:14:21Z |
format | Article |
id | doaj.art-c5509a1752bf437d9783c596d4e1f24e |
institution | Directory Open Access Journal |
issn | 2281-6658 |
language | deu |
last_indexed | 2024-12-19T15:14:21Z |
publishDate | 2019-06-01 |
publisher | Università degli Studi di Torino |
record_format | Article |
series | CoSMO |
spelling | doaj.art-c5509a1752bf437d9783c596d4e1f24e2022-12-21T20:16:12ZdeuUniversità degli Studi di TorinoCoSMO2281-66582019-06-011410.13135/2281-6658/3443Senso e funzioni della fotografia nella poesia verbo-visivaFederico Fastelli0Università di FirenzeThe essay analyses the essential role of photography in Visual Poetry experimentation, with specific reference to the European context. It aims to exemplify the complexity and aesthetic relevance of this kind of works within the twentieth-century phototexts. It also studies the relations between Visual Poetry and the methodological acquisitions of visual culture studies. In this sense, a paradigmatic sampling of authors (L. Pignotti, L. Ori, E. Miccini, L. Marcucci) is proposed. In them, photography represents, through a constant dialectic with verbal language and pictorial sign, a construction that is a sort of interlingua or super-language to be opposed to advertising.https://www.ojs.unito.it/index.php/COSMO/article/view/3443PhototextsNeo-Avant-GardGruppo 70Visual PoetryVisual Studies. |
spellingShingle | Federico Fastelli Senso e funzioni della fotografia nella poesia verbo-visiva CoSMO Phototexts Neo-Avant-Gard Gruppo 70 Visual Poetry Visual Studies. |
title | Senso e funzioni della fotografia nella poesia verbo-visiva |
title_full | Senso e funzioni della fotografia nella poesia verbo-visiva |
title_fullStr | Senso e funzioni della fotografia nella poesia verbo-visiva |
title_full_unstemmed | Senso e funzioni della fotografia nella poesia verbo-visiva |
title_short | Senso e funzioni della fotografia nella poesia verbo-visiva |
title_sort | senso e funzioni della fotografia nella poesia verbo visiva |
topic | Phototexts Neo-Avant-Gard Gruppo 70 Visual Poetry Visual Studies. |
url | https://www.ojs.unito.it/index.php/COSMO/article/view/3443 |
work_keys_str_mv | AT federicofastelli sensoefunzionidellafotografianellapoesiaverbovisiva |