Teatr tańca Brama Chmur w poszukiwaniu chińskiej i tajwańskiej tożsamości kulturowej

CLOUD GATE DANCE THEATRE IN SEARCH OF CHINESE AND TAIWANESE CULTURAL IDENTITY This paper shows the dynamics of topical, aesthetical and political changes in the world-known contemporary dance group – Cloud Gate Dance Theatre of Taiwan (Yunmen Wuji), created by Lin Hwai-min in 1973. Those metamorph...

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Main Author: Izabela Łabędzka
Format: Article
Language:English
Published: Ksiegarnia Akademicka Publishing 2023-11-01
Series:Politeja
Subjects:
Online Access:https://journals.akademicka.pl/politeja/article/view/5397
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author Izabela Łabędzka
author_facet Izabela Łabędzka
author_sort Izabela Łabędzka
collection DOAJ
description CLOUD GATE DANCE THEATRE IN SEARCH OF CHINESE AND TAIWANESE CULTURAL IDENTITY This paper shows the dynamics of topical, aesthetical and political changes in the world-known contemporary dance group – Cloud Gate Dance Theatre of Taiwan (Yunmen Wuji), created by Lin Hwai-min in 1973. Those metamorphoses are observed in a broad socio political and cultural context, in the rapidly changing reality of Taiwan, Mainland China and the whole world at the turn of the 20th and 21st century. Short analyses of the most iconic dance compositions by Lin Hwai-min make it possible to trace the direction of the changes, starting from search for Chinese cultural identity, through the quest for definition of Taiwanese cultural and national identity, gaining the feeling of being rooted in traditional Chinese aesthetics and finally confirming the importance of local Taiwanese tradition as an equally meaningful source of creative inspiration.
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spelling doaj.art-c5bcae0f918e40bbb4b125c8319b861f2023-11-16T15:04:51ZengKsiegarnia Akademicka PublishingPoliteja1733-67162391-67372023-11-01204(85)10.12797/Politeja.20.2023.85.02Teatr tańca Brama Chmur w poszukiwaniu chińskiej i tajwańskiej tożsamości kulturowejIzabela Łabędzka0Uniwersytet im. Adama Mickiewicza w Poznaniu CLOUD GATE DANCE THEATRE IN SEARCH OF CHINESE AND TAIWANESE CULTURAL IDENTITY This paper shows the dynamics of topical, aesthetical and political changes in the world-known contemporary dance group – Cloud Gate Dance Theatre of Taiwan (Yunmen Wuji), created by Lin Hwai-min in 1973. Those metamorphoses are observed in a broad socio political and cultural context, in the rapidly changing reality of Taiwan, Mainland China and the whole world at the turn of the 20th and 21st century. Short analyses of the most iconic dance compositions by Lin Hwai-min make it possible to trace the direction of the changes, starting from search for Chinese cultural identity, through the quest for definition of Taiwanese cultural and national identity, gaining the feeling of being rooted in traditional Chinese aesthetics and finally confirming the importance of local Taiwanese tradition as an equally meaningful source of creative inspiration. https://journals.akademicka.pl/politeja/article/view/5397Brama ChmurLin Hwai-minteatr tańcaTajwantożsamość kulturowa
spellingShingle Izabela Łabędzka
Teatr tańca Brama Chmur w poszukiwaniu chińskiej i tajwańskiej tożsamości kulturowej
Politeja
Brama Chmur
Lin Hwai-min
teatr tańca
Tajwan
tożsamość kulturowa
title Teatr tańca Brama Chmur w poszukiwaniu chińskiej i tajwańskiej tożsamości kulturowej
title_full Teatr tańca Brama Chmur w poszukiwaniu chińskiej i tajwańskiej tożsamości kulturowej
title_fullStr Teatr tańca Brama Chmur w poszukiwaniu chińskiej i tajwańskiej tożsamości kulturowej
title_full_unstemmed Teatr tańca Brama Chmur w poszukiwaniu chińskiej i tajwańskiej tożsamości kulturowej
title_short Teatr tańca Brama Chmur w poszukiwaniu chińskiej i tajwańskiej tożsamości kulturowej
title_sort teatr tanca brama chmur w poszukiwaniu chinskiej i tajwanskiej tozsamosci kulturowej
topic Brama Chmur
Lin Hwai-min
teatr tańca
Tajwan
tożsamość kulturowa
url https://journals.akademicka.pl/politeja/article/view/5397
work_keys_str_mv AT izabelałabedzka teatrtancabramachmurwposzukiwaniuchinskiejitajwanskiejtozsamoscikulturowej