Travailler avec/contre le format - Éthique et esthétique dans l’œuvre avec figures de Stanley Spencer

For Stanley Spencer formatting was always linked to his own « inner vision » and inspiration. It reveals a kind of anachronistic taste for series, triptychs and long narrow formats allowing him to paint narrative sequences with figures. Deeply inspired by the Italian Primitive painters, Spencer deco...

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Main Author: Liliane Louvel
Format: Article
Language:English
Published: Université de Bourgogne 2021-07-01
Series:Interfaces
Subjects:
Online Access:https://journals.openedition.org/interfaces/2435
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author Liliane Louvel
author_facet Liliane Louvel
author_sort Liliane Louvel
collection DOAJ
description For Stanley Spencer formatting was always linked to his own « inner vision » and inspiration. It reveals a kind of anachronistic taste for series, triptychs and long narrow formats allowing him to paint narrative sequences with figures. Deeply inspired by the Italian Primitive painters, Spencer decorated the famous Burghclere Chapel with frescoes evoking his war memories and hoped to renew this major feat with “The Church House Project”, but he never found a commissioner. Fortunately its several series display his creativity. The War commission sending him to Glasgow to paint Shipbuilding on the Clyde gave him once more the opportunity to produce several magnificent series. While having to cope with production constraints the painter often had to work with/against formats: adding to them, cutting them up, even adapting them to new projects. Thus these alterations testify to the necessity to working with reality, were it to entail painful sacrifices.
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spelling doaj.art-c5d3fc51e79849b98517279eef8bfd502024-02-14T08:36:28ZengUniversité de BourgogneInterfaces2647-67542021-07-014510.4000/interfaces.2435Travailler avec/contre le format - Éthique et esthétique dans l’œuvre avec figures de Stanley SpencerLiliane LouvelFor Stanley Spencer formatting was always linked to his own « inner vision » and inspiration. It reveals a kind of anachronistic taste for series, triptychs and long narrow formats allowing him to paint narrative sequences with figures. Deeply inspired by the Italian Primitive painters, Spencer decorated the famous Burghclere Chapel with frescoes evoking his war memories and hoped to renew this major feat with “The Church House Project”, but he never found a commissioner. Fortunately its several series display his creativity. The War commission sending him to Glasgow to paint Shipbuilding on the Clyde gave him once more the opportunity to produce several magnificent series. While having to cope with production constraints the painter often had to work with/against formats: adding to them, cutting them up, even adapting them to new projects. Thus these alterations testify to the necessity to working with reality, were it to entail painful sacrifices.https://journals.openedition.org/interfaces/2435Spencer (Stanley)seriestriptychsfrescoesBurghclere Chapel“The Church House Project”
spellingShingle Liliane Louvel
Travailler avec/contre le format - Éthique et esthétique dans l’œuvre avec figures de Stanley Spencer
Interfaces
Spencer (Stanley)
series
triptychs
frescoes
Burghclere Chapel
“The Church House Project”
title Travailler avec/contre le format - Éthique et esthétique dans l’œuvre avec figures de Stanley Spencer
title_full Travailler avec/contre le format - Éthique et esthétique dans l’œuvre avec figures de Stanley Spencer
title_fullStr Travailler avec/contre le format - Éthique et esthétique dans l’œuvre avec figures de Stanley Spencer
title_full_unstemmed Travailler avec/contre le format - Éthique et esthétique dans l’œuvre avec figures de Stanley Spencer
title_short Travailler avec/contre le format - Éthique et esthétique dans l’œuvre avec figures de Stanley Spencer
title_sort travailler avec contre le format ethique et esthetique dans l oeuvre avec figures de stanley spencer
topic Spencer (Stanley)
series
triptychs
frescoes
Burghclere Chapel
“The Church House Project”
url https://journals.openedition.org/interfaces/2435
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