« Percutere animum ». La percussion, un ressort némotechnique dans les rhétoriques grecque et latine

This paper deals with the mnemotechnic specificity of the percussive sound. By focusing on the argumentative, rhetorical and cognitive operativity of the percussive sound that appears in the Greek and Latine rhetoricians’ writings and practices, it hypothesizes that making a percussive sound respond...

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Main Author: Naïs Virenque
Format: Article
Language:fra
Published: Presses universitaires du Midi 2021-04-01
Series:Pallas
Subjects:
Online Access:http://journals.openedition.org/pallas/20242
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author Naïs Virenque
author_facet Naïs Virenque
author_sort Naïs Virenque
collection DOAJ
description This paper deals with the mnemotechnic specificity of the percussive sound. By focusing on the argumentative, rhetorical and cognitive operativity of the percussive sound that appears in the Greek and Latine rhetoricians’ writings and practices, it hypothesizes that making a percussive sound responds to the recommendations of the art of memory. To defend this hypothesis, it explains to what extent the visual and sound resorts of the art of memory are not only language’s and imagination’s artifacts, but also constitute social phenomena, which produce and exploit the ethical instrumentality of images and sounds.
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spelling doaj.art-c6139feab7c74b6784a674010f0b834f2023-02-09T16:29:46ZfraPresses universitaires du MidiPallas0031-03872272-76392021-04-0111520922410.4000/pallas.20242« Percutere animum ». La percussion, un ressort némotechnique dans les rhétoriques grecque et latineNaïs VirenqueThis paper deals with the mnemotechnic specificity of the percussive sound. By focusing on the argumentative, rhetorical and cognitive operativity of the percussive sound that appears in the Greek and Latine rhetoricians’ writings and practices, it hypothesizes that making a percussive sound responds to the recommendations of the art of memory. To defend this hypothesis, it explains to what extent the visual and sound resorts of the art of memory are not only language’s and imagination’s artifacts, but also constitute social phenomena, which produce and exploit the ethical instrumentality of images and sounds.http://journals.openedition.org/pallas/20242art of memoryrhetoricoratory rythmeloquencesoundpercussion
spellingShingle Naïs Virenque
« Percutere animum ». La percussion, un ressort némotechnique dans les rhétoriques grecque et latine
Pallas
art of memory
rhetoric
oratory rythm
eloquence
sound
percussion
title « Percutere animum ». La percussion, un ressort némotechnique dans les rhétoriques grecque et latine
title_full « Percutere animum ». La percussion, un ressort némotechnique dans les rhétoriques grecque et latine
title_fullStr « Percutere animum ». La percussion, un ressort némotechnique dans les rhétoriques grecque et latine
title_full_unstemmed « Percutere animum ». La percussion, un ressort némotechnique dans les rhétoriques grecque et latine
title_short « Percutere animum ». La percussion, un ressort némotechnique dans les rhétoriques grecque et latine
title_sort percutere animum la percussion un ressort nemotechnique dans les rhetoriques grecque et latine
topic art of memory
rhetoric
oratory rythm
eloquence
sound
percussion
url http://journals.openedition.org/pallas/20242
work_keys_str_mv AT naisvirenque percutereanimumlapercussionunressortnemotechniquedanslesrhetoriquesgrecqueetlatine