Praetorius Versus Zarlino: The Question of Modes
This article deals with the question of modes as it is discussed in Gioseffo Zarlino’s Istitutioni harmoniche and Michael Praetorius’s Syntagma musicum. First, Gioseffo Zarlino’s adoption of Heinrich Glarean’s system of twelve modes is presented, along with the changes he introduced. Gioseffo Zarlin...
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| Format: | Article |
| Language: | deu |
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ZRC SAZU, Založba ZRC
2019-10-01
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| Series: | De Musica Disserenda |
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| Online Access: | https://ojs.zrc-sazu.si/dmd/article/view/7667 |
| Summary: | This article deals with the question of modes as it is discussed in Gioseffo Zarlino’s Istitutioni harmoniche and Michael Praetorius’s Syntagma musicum. First, Gioseffo Zarlino’s adoption of Heinrich Glarean’s system of twelve modes is presented, along with the changes he introduced. Gioseffo Zarlino’s system is then compared to that of Michael Praetorius. |
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| ISSN: | 1854-3405 2536-2615 |