La donna mostro. L’"aging" nella commedia all’italiana fra generi e genere

Sacred monsters: this is how most of the Italian media and public call actors Gassman, Mastroianni, Tognazzi, Manfredi, Sordi, to mark their legendary status in the Italian history of cinema. Comedy in particular is strongly associated with, and often defined by, the presence of these immensely popu...

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Main Author: Ruggero Ragonese
Format: Article
Language:Italian
Published: Università degli Studi di Milano 2022-02-01
Series:Schermi
Subjects:
Online Access:https://riviste.unimi.it/index.php/schermi/article/view/15555
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author Ruggero Ragonese
author_facet Ruggero Ragonese
author_sort Ruggero Ragonese
collection DOAJ
description Sacred monsters: this is how most of the Italian media and public call actors Gassman, Mastroianni, Tognazzi, Manfredi, Sordi, to mark their legendary status in the Italian history of cinema. Comedy in particular is strongly associated with, and often defined by, the presence of these immensely popular male stars. However, this same period of time, this unique genre, has often relegated female figures to fixed stereotypes (the young maiden, the older woman, the mature one). How can we investigate such a complex phenomenon as the Commedia all’Italiana from a gender point of view? For example, by observing the different representations of time and of the aging process in the bodies of actors, actresses and characters (with particular attention to the works of Antonio Pietrangeli). In this way perhaps we will find another kind of “monstrosity”: female otherness, constantly looking for its (uncomfortable) position within movies that are unapologetic representations of the male gaze.
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spelling doaj.art-c665f58d619c4db99b1cbe323b77ed752024-02-11T18:43:29ZitaUniversità degli Studi di MilanoSchermi2532-24862022-02-0161010.54103/2532-2486/15555La donna mostro. L’"aging" nella commedia all’italiana fra generi e genereRuggero Ragonese0università Modena e Reggio EmiliaSacred monsters: this is how most of the Italian media and public call actors Gassman, Mastroianni, Tognazzi, Manfredi, Sordi, to mark their legendary status in the Italian history of cinema. Comedy in particular is strongly associated with, and often defined by, the presence of these immensely popular male stars. However, this same period of time, this unique genre, has often relegated female figures to fixed stereotypes (the young maiden, the older woman, the mature one). How can we investigate such a complex phenomenon as the Commedia all’Italiana from a gender point of view? For example, by observing the different representations of time and of the aging process in the bodies of actors, actresses and characters (with particular attention to the works of Antonio Pietrangeli). In this way perhaps we will find another kind of “monstrosity”: female otherness, constantly looking for its (uncomfortable) position within movies that are unapologetic representations of the male gaze.https://riviste.unimi.it/index.php/schermi/article/view/15555GenderComedy Italian StyleIntertextualityMetacinema
spellingShingle Ruggero Ragonese
La donna mostro. L’"aging" nella commedia all’italiana fra generi e genere
Schermi
Gender
Comedy Italian Style
Intertextuality
Metacinema
title La donna mostro. L’"aging" nella commedia all’italiana fra generi e genere
title_full La donna mostro. L’"aging" nella commedia all’italiana fra generi e genere
title_fullStr La donna mostro. L’"aging" nella commedia all’italiana fra generi e genere
title_full_unstemmed La donna mostro. L’"aging" nella commedia all’italiana fra generi e genere
title_short La donna mostro. L’"aging" nella commedia all’italiana fra generi e genere
title_sort la donna mostro l aging nella commedia all italiana fra generi e genere
topic Gender
Comedy Italian Style
Intertextuality
Metacinema
url https://riviste.unimi.it/index.php/schermi/article/view/15555
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