The merging of reality and fiction in Pixar's unconventional promotional actions

Although the promotion of Pixar films uses conventional tools —poster, trailer, etc.—, they are also developed innovative actions that seek to generate awareness and cooperate in brand building. These actions seem to accentuate one of the goals of Pixar cinema: that fictional characters, worlds, and...

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Main Author: David Selva-Ruiz
Format: Article
Language:Spanish
Published: Universitat Politècnica de València 2021-03-01
Series:Con A de Animación
Subjects:
Online Access:https://polipapers.upv.es/index.php/CAA/article/view/15084
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author David Selva-Ruiz
author_facet David Selva-Ruiz
author_sort David Selva-Ruiz
collection DOAJ
description Although the promotion of Pixar films uses conventional tools —poster, trailer, etc.—, they are also developed innovative actions that seek to generate awareness and cooperate in brand building. These actions seem to accentuate one of the goals of Pixar cinema: that fictional characters, worlds, and narratives are perceived as real. This work aims to analyze the interplay between reality and fiction in the use of unconventional communication tools for the promotion of Pixar films. It is concluded that its promotion encompasses unconventional content and actions of great originality that contribute to the  narrative universe of films and, therefore, of the Pixar brand itself; and that these contents and actions, in their diversity, have the common link of trying to bring the fiction of the screens to a real or even physical sphere.
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spelling doaj.art-c6ab91ec608d4a02be41230bede0b6922022-12-21T21:56:19ZspaUniversitat Politècnica de ValènciaCon A de Animación2173-60492173-35112021-03-01012325110.4995/caa.2021.150848551The merging of reality and fiction in Pixar's unconventional promotional actionsDavid Selva-Ruiz0Universidad de CádizAlthough the promotion of Pixar films uses conventional tools —poster, trailer, etc.—, they are also developed innovative actions that seek to generate awareness and cooperate in brand building. These actions seem to accentuate one of the goals of Pixar cinema: that fictional characters, worlds, and narratives are perceived as real. This work aims to analyze the interplay between reality and fiction in the use of unconventional communication tools for the promotion of Pixar films. It is concluded that its promotion encompasses unconventional content and actions of great originality that contribute to the  narrative universe of films and, therefore, of the Pixar brand itself; and that these contents and actions, in their diversity, have the common link of trying to bring the fiction of the screens to a real or even physical sphere.https://polipapers.upv.es/index.php/CAA/article/view/15084pixarpublicidadcomunicación no convencionalnarrativas transmediacultura popular
spellingShingle David Selva-Ruiz
The merging of reality and fiction in Pixar's unconventional promotional actions
Con A de Animación
pixar
publicidad
comunicación no convencional
narrativas transmedia
cultura popular
title The merging of reality and fiction in Pixar's unconventional promotional actions
title_full The merging of reality and fiction in Pixar's unconventional promotional actions
title_fullStr The merging of reality and fiction in Pixar's unconventional promotional actions
title_full_unstemmed The merging of reality and fiction in Pixar's unconventional promotional actions
title_short The merging of reality and fiction in Pixar's unconventional promotional actions
title_sort merging of reality and fiction in pixar s unconventional promotional actions
topic pixar
publicidad
comunicación no convencional
narrativas transmedia
cultura popular
url https://polipapers.upv.es/index.php/CAA/article/view/15084
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