Los usos del folclore y la construcción de una identidad regional "costeña" y nacional en la obra de Antonio Brugés Carmona, 1940-1950
In this article we highlight the leading role that a "costeño" intellectual had between 1940 and 1950 in the formation of a regional identity based on folklorization of local artistic expressions (music and dance), and his attempt to articulate a national identity in Colombia. Based on the...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
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Universidad de los Andes
2014-08-01
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| Series: | Revista de Estudios Sociales |
| Subjects: | |
| Online Access: | http://res.uniandes.edu.co/view.php/916/index.php?id=916 |
| Summary: | In this article we highlight the leading role that a "costeño" intellectual had between 1940 and 1950 in the formation of a regional identity based on folklorization of local artistic expressions (music and dance), and his attempt to articulate a national identity in Colombia. Based on the few writings of this intellectual we intend to show that the construction of a regional identity experienced tensions and negotiations, given the cultural affinities of the author and, above all, the need of the liberal governments and the Colombian state to construct a broader idea of nation. |
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| ISSN: | 0123-885X 1900-5180 |