Patrimonio artistico e capitale sociale nella società interculturale

The extreme latitude of the multi-disciplinary scenarios outlined by the social, humanistic and economic sciences – from the re-reading of the “classics” and the founding contributions accrued in philosophy, literature, anthropology and sociology – becomes the basis in formulating the working hypoth...

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Main Author: Piero Lorusso
Format: Article
Language:English
Published: University of Bologna 2012-06-01
Series:Conservation Science in Cultural Heritage
Subjects:
Online Access:http://conservation-science.unibo.it/article/view/2697
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author Piero Lorusso
author_facet Piero Lorusso
author_sort Piero Lorusso
collection DOAJ
description The extreme latitude of the multi-disciplinary scenarios outlined by the social, humanistic and economic sciences – from the re-reading of the “classics” and the founding contributions accrued in philosophy, literature, anthropology and sociology – becomes the basis in formulating the working hypothesis of a new discipline. For the author, the sociological analysis of cultural heritage moves from the recognition of the sector as an all-embracing source of value – cultural, civic and economic – for the individual and for the nation.Nevertheless, it should be recognised how the radical changes associated with redefining judicial and organisational trends in the sector, with the impact of technologies, and more importantly, with the profound change in users, have essentially left intact - at the same time “democratising it” for new audiences – the most universal asset that artistic-cultural heritage possesses: that is to say, the ability to “consult” the social actors themselves in depth, referring them to a system of “aspirational” values. A strength – as is well-known – that both upholds and goes beyond the duties of daily life, including the ambivalent need for social “belonging” and “distinction” which is nourished by consuming art and culture. Hence, a sense of the “sacred”, albeit in lesser terms than in the past, emerges once more in cultural heritage. The direction it takes is towards the spiritualisation of existence and is such for an increasingly varied number of social sectors, which nowadays are “fashioned” for the enjoyment of culture owing to improved levels of  education and available skills. Cultural heritage can consequently be seen as a relational resource and a “social capital” ante litteram: due to the participatory role of culture, when real “citizenship” assets are consumed, they create a new source of social values, which are cohesive and create community interaction for today’s social actors.
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spelling doaj.art-c6f4fad43df94db1b510f89403b762752022-12-21T19:28:24ZengUniversity of BolognaConservation Science in Cultural Heritage1974-49511973-94942012-06-0111117919410.6092/issn.1973-9494/26972510Patrimonio artistico e capitale sociale nella società interculturalePiero LorussoThe extreme latitude of the multi-disciplinary scenarios outlined by the social, humanistic and economic sciences – from the re-reading of the “classics” and the founding contributions accrued in philosophy, literature, anthropology and sociology – becomes the basis in formulating the working hypothesis of a new discipline. For the author, the sociological analysis of cultural heritage moves from the recognition of the sector as an all-embracing source of value – cultural, civic and economic – for the individual and for the nation.Nevertheless, it should be recognised how the radical changes associated with redefining judicial and organisational trends in the sector, with the impact of technologies, and more importantly, with the profound change in users, have essentially left intact - at the same time “democratising it” for new audiences – the most universal asset that artistic-cultural heritage possesses: that is to say, the ability to “consult” the social actors themselves in depth, referring them to a system of “aspirational” values. A strength – as is well-known – that both upholds and goes beyond the duties of daily life, including the ambivalent need for social “belonging” and “distinction” which is nourished by consuming art and culture. Hence, a sense of the “sacred”, albeit in lesser terms than in the past, emerges once more in cultural heritage. The direction it takes is towards the spiritualisation of existence and is such for an increasingly varied number of social sectors, which nowadays are “fashioned” for the enjoyment of culture owing to improved levels of  education and available skills. Cultural heritage can consequently be seen as a relational resource and a “social capital” ante litteram: due to the participatory role of culture, when real “citizenship” assets are consumed, they create a new source of social values, which are cohesive and create community interaction for today’s social actors.http://conservation-science.unibo.it/article/view/2697social capitalcultural heritageinterculturalism
spellingShingle Piero Lorusso
Patrimonio artistico e capitale sociale nella società interculturale
Conservation Science in Cultural Heritage
social capital
cultural heritage
interculturalism
title Patrimonio artistico e capitale sociale nella società interculturale
title_full Patrimonio artistico e capitale sociale nella società interculturale
title_fullStr Patrimonio artistico e capitale sociale nella società interculturale
title_full_unstemmed Patrimonio artistico e capitale sociale nella società interculturale
title_short Patrimonio artistico e capitale sociale nella società interculturale
title_sort patrimonio artistico e capitale sociale nella societa interculturale
topic social capital
cultural heritage
interculturalism
url http://conservation-science.unibo.it/article/view/2697
work_keys_str_mv AT pierolorusso patrimonioartisticoecapitalesocialenellasocietainterculturale