Toward “Reciprocal Legitimation” between Shakespeare’s Works and Manga

In April 2014, Nihon Hoso Kyokai (NHK: Japan Broadcasting Company) aired a short animated film titled “Ophelia, not yet”. Ophelia, in this animation, survives, as she is a backstroke champion. This article will attempt to contextualize the complex negotiations, struggles and challenges between high...

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Main Author: Yukari Yoshihara
Format: Article
Language:English
Published: Lodz University Press 2016-12-01
Series:Multicultural Shakespeare
Subjects:
Online Access:https://czasopisma.uni.lodz.pl/szekspir/article/view/1947
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author Yukari Yoshihara
author_facet Yukari Yoshihara
author_sort Yukari Yoshihara
collection DOAJ
description In April 2014, Nihon Hoso Kyokai (NHK: Japan Broadcasting Company) aired a short animated film titled “Ophelia, not yet”. Ophelia, in this animation, survives, as she is a backstroke champion. This article will attempt to contextualize the complex negotiations, struggles and challenges between high culture and pop culture, between Western culture and Japanese culture, between authoritative cultural products and radicalized counterculture consumer products (such as animation), to argue that it would be more profitable to think of the relationships between highbrow/lowbrow, Western/non-Western, male versus female, heterosexual versus non-heterosexual, not simply in terms of dichotomies or domination/subordination, but in terms of reciprocal enrichment in a never-ending process of mutual metamorphoses.
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spelling doaj.art-c70d42bc8dff42c28903a2b9429280752022-12-22T02:08:20ZengLodz University PressMulticultural Shakespeare2300-76052016-12-01142910712210.1515/mstap-2016-00191947Toward “Reciprocal Legitimation” between Shakespeare’s Works and MangaYukari Yoshihara0University of TsukubaIn April 2014, Nihon Hoso Kyokai (NHK: Japan Broadcasting Company) aired a short animated film titled “Ophelia, not yet”. Ophelia, in this animation, survives, as she is a backstroke champion. This article will attempt to contextualize the complex negotiations, struggles and challenges between high culture and pop culture, between Western culture and Japanese culture, between authoritative cultural products and radicalized counterculture consumer products (such as animation), to argue that it would be more profitable to think of the relationships between highbrow/lowbrow, Western/non-Western, male versus female, heterosexual versus non-heterosexual, not simply in terms of dichotomies or domination/subordination, but in terms of reciprocal enrichment in a never-ending process of mutual metamorphoses.https://czasopisma.uni.lodz.pl/szekspir/article/view/1947pop culturejapangendercultural hierarchymangaanimation
spellingShingle Yukari Yoshihara
Toward “Reciprocal Legitimation” between Shakespeare’s Works and Manga
Multicultural Shakespeare
pop culture
japan
gender
cultural hierarchy
manga
animation
title Toward “Reciprocal Legitimation” between Shakespeare’s Works and Manga
title_full Toward “Reciprocal Legitimation” between Shakespeare’s Works and Manga
title_fullStr Toward “Reciprocal Legitimation” between Shakespeare’s Works and Manga
title_full_unstemmed Toward “Reciprocal Legitimation” between Shakespeare’s Works and Manga
title_short Toward “Reciprocal Legitimation” between Shakespeare’s Works and Manga
title_sort toward reciprocal legitimation between shakespeare s works and manga
topic pop culture
japan
gender
cultural hierarchy
manga
animation
url https://czasopisma.uni.lodz.pl/szekspir/article/view/1947
work_keys_str_mv AT yukariyoshihara towardreciprocallegitimationbetweenshakespearesworksandmanga