Memories of Empire: Amateur Film and Displacement in Péter Forgács's Looming Fire

<p>Through the analysis of the installation <em>Looming Fire</em> – <em>Stories From the Netherlands East Indies</em> (Péter Forgács, 2013), this article investigates the new meanings mobilized by the reappropriation of amateur films produced in the heyday of the coloni...

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Main Author: Beatriz Rodovalho
Format: Article
Language:English
Published: Associação de Investigadores da Imagem em Movimento 2015-07-01
Series:Aniki: Revista Portuguesa da Imagem em Movimento
Subjects:
Online Access:http://aim.org.pt/ojs/index.php/revista/article/view/160
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author Beatriz Rodovalho
author_facet Beatriz Rodovalho
author_sort Beatriz Rodovalho
collection DOAJ
description <p>Through the analysis of the installation <em>Looming Fire</em> – <em>Stories From the Netherlands East Indies</em> (Péter Forgács, 2013), this article investigates the new meanings mobilized by the reappropriation of amateur films produced in the heyday of the colonial exploitation of the Dutch East Indies, territory which today constitutes Indonesia. As these private records assume new territories of history and memory, we propose to study their various displacements. Along with films which reappropriate official images from the Dutch colonies such as <em>Mother Dao, the Turtle-like</em> (Vicent Monnikendam, 1995) and <em>Facing Forward</em> (Fiona Tan, 1999), we intend to analyse how the ethical and aesthetic procedures employed by the artists question both the colonialist logic and gaze.</p>
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spelling doaj.art-c71130d1e6254b11ae96ad5bef0229752022-12-22T00:50:13ZengAssociação de Investigadores da Imagem em MovimentoAniki: Revista Portuguesa da Imagem em Movimento2183-17502015-07-012227629310.14591/aniki.v2n2.16073Memories of Empire: Amateur Film and Displacement in Péter Forgács's Looming FireBeatriz Rodovalho0Université Sorbonne Nouvelle - Paris 3, École Doctorale Arts et Médias, IRCAV, 75005, Paris<p>Through the analysis of the installation <em>Looming Fire</em> – <em>Stories From the Netherlands East Indies</em> (Péter Forgács, 2013), this article investigates the new meanings mobilized by the reappropriation of amateur films produced in the heyday of the colonial exploitation of the Dutch East Indies, territory which today constitutes Indonesia. As these private records assume new territories of history and memory, we propose to study their various displacements. Along with films which reappropriate official images from the Dutch colonies such as <em>Mother Dao, the Turtle-like</em> (Vicent Monnikendam, 1995) and <em>Facing Forward</em> (Fiona Tan, 1999), we intend to analyse how the ethical and aesthetic procedures employed by the artists question both the colonialist logic and gaze.</p>http://aim.org.pt/ojs/index.php/revista/article/view/160filme amadorfilme de arquivofilme de montagemcolonialismoPéter Forgács
spellingShingle Beatriz Rodovalho
Memories of Empire: Amateur Film and Displacement in Péter Forgács's Looming Fire
Aniki: Revista Portuguesa da Imagem em Movimento
filme amador
filme de arquivo
filme de montagem
colonialismo
Péter Forgács
title Memories of Empire: Amateur Film and Displacement in Péter Forgács's Looming Fire
title_full Memories of Empire: Amateur Film and Displacement in Péter Forgács's Looming Fire
title_fullStr Memories of Empire: Amateur Film and Displacement in Péter Forgács's Looming Fire
title_full_unstemmed Memories of Empire: Amateur Film and Displacement in Péter Forgács's Looming Fire
title_short Memories of Empire: Amateur Film and Displacement in Péter Forgács's Looming Fire
title_sort memories of empire amateur film and displacement in peter forgacs s looming fire
topic filme amador
filme de arquivo
filme de montagem
colonialismo
Péter Forgács
url http://aim.org.pt/ojs/index.php/revista/article/view/160
work_keys_str_mv AT beatrizrodovalho memoriesofempireamateurfilmanddisplacementinpeterforgacssloomingfire