Oblivion Deferred: Altichiero in the Fifteenth Century

Altichiero was the dominant north Italian painter of the later Trecento. In Padua, in the 1370s and early 1380s, he worked for patrons close to Petrarch and his circle and perhaps in direct contact with the poet himself. By the time of the second edition of Vasari's Vite (1568) the memory of Al...

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Main Author: Richards, John
Format: Article
Language:deu
Published: International Association of Research Institutes in the History of Art (RIHA) 2013-08-01
Series:RIHA Journal
Subjects:
Online Access:http://www.riha-journal.org/articles/2013/2013-jul-sep/richards-altichiero
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author Richards, John
author_facet Richards, John
author_sort Richards, John
collection DOAJ
description Altichiero was the dominant north Italian painter of the later Trecento. In Padua, in the 1370s and early 1380s, he worked for patrons close to Petrarch and his circle and perhaps in direct contact with the poet himself. By the time of the second edition of Vasari's Vite (1568) the memory of Altichiero's work had suffered significant occlusion, and Vasari's account of him is little more than an appendix to his life of Carpaccio. Only since the later nineteenth century, and particularly in the last fifty or so years, has Altichiero's reputation been restored. It is the purpose of this paper to examine aspects of that reputation throughout the century or so after the painter's death (by April 1393).
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spelling doaj.art-c71cbf122f6d42a0bd9889f496febf3b2023-12-02T18:43:11ZdeuInternational Association of Research Institutes in the History of Art (RIHA)RIHA Journal2190-33282190-33282013-08-010073Oblivion Deferred: Altichiero in the Fifteenth CenturyRichards, JohnAltichiero was the dominant north Italian painter of the later Trecento. In Padua, in the 1370s and early 1380s, he worked for patrons close to Petrarch and his circle and perhaps in direct contact with the poet himself. By the time of the second edition of Vasari's Vite (1568) the memory of Altichiero's work had suffered significant occlusion, and Vasari's account of him is little more than an appendix to his life of Carpaccio. Only since the later nineteenth century, and particularly in the last fifty or so years, has Altichiero's reputation been restored. It is the purpose of this paper to examine aspects of that reputation throughout the century or so after the painter's death (by April 1393).http://www.riha-journal.org/articles/2013/2013-jul-sep/richards-altichieroAltichieroHistoriographyTrecentoQuattrocentoPaintingPetrarchVasariPadua
spellingShingle Richards, John
Oblivion Deferred: Altichiero in the Fifteenth Century
RIHA Journal
Altichiero
Historiography
Trecento
Quattrocento
Painting
Petrarch
Vasari
Padua
title Oblivion Deferred: Altichiero in the Fifteenth Century
title_full Oblivion Deferred: Altichiero in the Fifteenth Century
title_fullStr Oblivion Deferred: Altichiero in the Fifteenth Century
title_full_unstemmed Oblivion Deferred: Altichiero in the Fifteenth Century
title_short Oblivion Deferred: Altichiero in the Fifteenth Century
title_sort oblivion deferred altichiero in the fifteenth century
topic Altichiero
Historiography
Trecento
Quattrocento
Painting
Petrarch
Vasari
Padua
url http://www.riha-journal.org/articles/2013/2013-jul-sep/richards-altichiero
work_keys_str_mv AT richardsjohn obliviondeferredaltichierointhefifteenthcentury