THE IMAGE OF ART BETWEEN IDEOLOGY AND MODERNITY. ELBLĄG BIENNALES OF SPATIAL FORMS IN 1960’S POLAND
In 1965 Gerard Kwiatkowski and Marian Bogusz organized the fi rst of the Spatial Forms Biennales in Elbląg – a city based in the so-called “Recovered Territories”. Selected artists, supported by ZAMECH mechanical plant and with the permission of the communist authorities, created several dozen huge...
Main Author: | Elżbieta Błotnicka-Mazur |
---|---|
Format: | Article |
Language: | English |
Published: |
ARTIS- Faculdade de Letras da Universidade de Lisboa
2019-12-01
|
Series: | Art is on |
Subjects: | |
Online Access: | http://artison.letras.ulisboa.pt/index.php/ao/article/view/242 |
Similar Items
-
Stan obecny i perspektywy rozwoju Portu Elbląg
by: A. Salomon
Published: (2018-12-01) -
The Magazine la biennale: Articulating a Model for Periodicals Published by Recurring Exhibitions
by: Camilla Salvaneschi
Published: (2020-09-01) -
Emerging in the East: the Shanghai Biennale’s pathways to legitimation, 1996 to 2018
by: Chenchen Zhu, et al.
Published: (2022-06-01) -
Caribbean Contemporary Poets and Graphic Artists Moored at the Venice Biennale of Architecture 2018
by: Matz , Margaret Spencer
Published: (2018-12-01) -
From Blinking in the Darkness to the World Art Stage: Turkey’s Participation in the Venice Biennale on (In)Visibility and Hegemony Discourse
by: Esra Yıldız
Published: (2024-12-01)