Jean Cocteau in front of the Mirror of Orfeo

This article will identify the symbolic elements present in The blood of a poet with the myth of Orpheus, anticipating how this avant-garde film prefigured the poetic universe that Jean Cocteau would develop throughout his career. The formation of the imaginary of Cocteau was marked from his childho...

Full description

Bibliographic Details
Main Authors: Raquel Sardá Sánchez, Vicente Alemany Sánchez-Moscoso
Format: Article
Language:English
Published: Universidad Rey Juan Carlos 2017-05-01
Series:Index Comunicación
Subjects:
Online Access:http://journals.sfu.ca/indexcomunicacion/index.php/indexcomunicacion/article/view/290
_version_ 1811282720681099264
author Raquel Sardá Sánchez
Vicente Alemany Sánchez-Moscoso
author_facet Raquel Sardá Sánchez
Vicente Alemany Sánchez-Moscoso
author_sort Raquel Sardá Sánchez
collection DOAJ
description This article will identify the symbolic elements present in The blood of a poet with the myth of Orpheus, anticipating how this avant-garde film prefigured the poetic universe that Jean Cocteau would develop throughout his career. The formation of the imaginary of Cocteau was marked from his childhood by the traumatic death of his father that his mother wanted to compensate overprotecting him. Through the symbology present in his first film we will establish analogies and relationships between the author’s own biography, references to the myth of Orpheus and the interpretation that other artists close to surrealism made of these elements.
first_indexed 2024-04-13T01:56:25Z
format Article
id doaj.art-c7553b1ce3f4486a8e1a531af96d09e1
institution Directory Open Access Journal
issn 2444-3239
2174-1859
language English
last_indexed 2024-04-13T01:56:25Z
publishDate 2017-05-01
publisher Universidad Rey Juan Carlos
record_format Article
series Index Comunicación
spelling doaj.art-c7553b1ce3f4486a8e1a531af96d09e12022-12-22T03:07:44ZengUniversidad Rey Juan CarlosIndex Comunicación2444-32392174-18592017-05-01726783187Jean Cocteau in front of the Mirror of OrfeoRaquel Sardá Sánchez0Vicente Alemany Sánchez-Moscoso1Universidad Rey Juan CarlosUniversidad Rey Juan CarlosThis article will identify the symbolic elements present in The blood of a poet with the myth of Orpheus, anticipating how this avant-garde film prefigured the poetic universe that Jean Cocteau would develop throughout his career. The formation of the imaginary of Cocteau was marked from his childhood by the traumatic death of his father that his mother wanted to compensate overprotecting him. Through the symbology present in his first film we will establish analogies and relationships between the author’s own biography, references to the myth of Orpheus and the interpretation that other artists close to surrealism made of these elements.http://journals.sfu.ca/indexcomunicacion/index.php/indexcomunicacion/article/view/290CocteausímboloSurrealismoOrfeoVanguardias
spellingShingle Raquel Sardá Sánchez
Vicente Alemany Sánchez-Moscoso
Jean Cocteau in front of the Mirror of Orfeo
Index Comunicación
Cocteau
símbolo
Surrealismo
Orfeo
Vanguardias
title Jean Cocteau in front of the Mirror of Orfeo
title_full Jean Cocteau in front of the Mirror of Orfeo
title_fullStr Jean Cocteau in front of the Mirror of Orfeo
title_full_unstemmed Jean Cocteau in front of the Mirror of Orfeo
title_short Jean Cocteau in front of the Mirror of Orfeo
title_sort jean cocteau in front of the mirror of orfeo
topic Cocteau
símbolo
Surrealismo
Orfeo
Vanguardias
url http://journals.sfu.ca/indexcomunicacion/index.php/indexcomunicacion/article/view/290
work_keys_str_mv AT raquelsardasanchez jeancocteauinfrontofthemirroroforfeo
AT vicentealemanysanchezmoscoso jeancocteauinfrontofthemirroroforfeo