Jean Cocteau in front of the Mirror of Orfeo
This article will identify the symbolic elements present in The blood of a poet with the myth of Orpheus, anticipating how this avant-garde film prefigured the poetic universe that Jean Cocteau would develop throughout his career. The formation of the imaginary of Cocteau was marked from his childho...
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Format: | Article |
Language: | English |
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Universidad Rey Juan Carlos
2017-05-01
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Series: | Index Comunicación |
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Online Access: | http://journals.sfu.ca/indexcomunicacion/index.php/indexcomunicacion/article/view/290 |
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author | Raquel Sardá Sánchez Vicente Alemany Sánchez-Moscoso |
author_facet | Raquel Sardá Sánchez Vicente Alemany Sánchez-Moscoso |
author_sort | Raquel Sardá Sánchez |
collection | DOAJ |
description | This article will identify the symbolic elements present in The blood of a poet with the myth of Orpheus, anticipating how this avant-garde film prefigured the poetic universe that Jean Cocteau would develop throughout his career. The formation of the imaginary of Cocteau was marked from his childhood by the traumatic death of his father that his mother wanted to compensate overprotecting him. Through the symbology present in his first film we will establish analogies and relationships between the author’s own biography, references to the myth of Orpheus and the interpretation that other artists close to surrealism made of these elements. |
first_indexed | 2024-04-13T01:56:25Z |
format | Article |
id | doaj.art-c7553b1ce3f4486a8e1a531af96d09e1 |
institution | Directory Open Access Journal |
issn | 2444-3239 2174-1859 |
language | English |
last_indexed | 2024-04-13T01:56:25Z |
publishDate | 2017-05-01 |
publisher | Universidad Rey Juan Carlos |
record_format | Article |
series | Index Comunicación |
spelling | doaj.art-c7553b1ce3f4486a8e1a531af96d09e12022-12-22T03:07:44ZengUniversidad Rey Juan CarlosIndex Comunicación2444-32392174-18592017-05-01726783187Jean Cocteau in front of the Mirror of OrfeoRaquel Sardá Sánchez0Vicente Alemany Sánchez-Moscoso1Universidad Rey Juan CarlosUniversidad Rey Juan CarlosThis article will identify the symbolic elements present in The blood of a poet with the myth of Orpheus, anticipating how this avant-garde film prefigured the poetic universe that Jean Cocteau would develop throughout his career. The formation of the imaginary of Cocteau was marked from his childhood by the traumatic death of his father that his mother wanted to compensate overprotecting him. Through the symbology present in his first film we will establish analogies and relationships between the author’s own biography, references to the myth of Orpheus and the interpretation that other artists close to surrealism made of these elements.http://journals.sfu.ca/indexcomunicacion/index.php/indexcomunicacion/article/view/290CocteausímboloSurrealismoOrfeoVanguardias |
spellingShingle | Raquel Sardá Sánchez Vicente Alemany Sánchez-Moscoso Jean Cocteau in front of the Mirror of Orfeo Index Comunicación Cocteau símbolo Surrealismo Orfeo Vanguardias |
title | Jean Cocteau in front of the Mirror of Orfeo |
title_full | Jean Cocteau in front of the Mirror of Orfeo |
title_fullStr | Jean Cocteau in front of the Mirror of Orfeo |
title_full_unstemmed | Jean Cocteau in front of the Mirror of Orfeo |
title_short | Jean Cocteau in front of the Mirror of Orfeo |
title_sort | jean cocteau in front of the mirror of orfeo |
topic | Cocteau símbolo Surrealismo Orfeo Vanguardias |
url | http://journals.sfu.ca/indexcomunicacion/index.php/indexcomunicacion/article/view/290 |
work_keys_str_mv | AT raquelsardasanchez jeancocteauinfrontofthemirroroforfeo AT vicentealemanysanchezmoscoso jeancocteauinfrontofthemirroroforfeo |