0315 On the Presence and Absence of Images
Starting from the presence of a painting by Aimé Morot among the slide collection of Charles Lang Freer, a collection otherwise devoted to modern American painters and Asian art, the essay traces back the origin of this slide to the collection of Ernest Fenollosa and untangles the documentation on h...
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| Format: | Article |
| Language: | deu |
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International Association of Research Institutes in the History of Art (RIHA)
2024-08-01
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| Series: | RIHA Journal |
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| Online Access: | https://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/105682 |