La représentation paradoxale du chemin de fer chez Dickens : fantastique et mythe au service d’une peinture de la modernité dans Dombey and Son (1848) et « No. 1 Branch Line. The Signal-Man » (1866)
With George Cruikshank’s famous engraving London Going out of Town. The March of Bricks and Mortar (1829), that gives a nightmare, fantastic image of the ravages of urbanization, we can notice the innovative resort to the Gothic to deal with modern phenomena, something as yet unprecedented in the ar...
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| Formáid: | Alt |
| Teanga: | English |
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Presses Universitaires de la Méditerranée
2010-06-01
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| Sraith: | Cahiers Victoriens et Edouardiens |
| Rochtain ar líne: | https://journals.openedition.org/cve/2832 |