La perception intuitive chez les Cisterciens : quels modèles antiques ?
This paper analyses the Cistercian model of “good” listening in the light of ancient designs, in particular the distinction scholarly perception and intuitive perception. The latter is often devalued in Antiquity because it does not appeal to reason and is only based on the pleasure of the ear; howe...
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| Format: | Article |
| Language: | fra |
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Presses universitaires du Midi
2015-06-01
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| Series: | Pallas |
| Subjects: | |
| Online Access: | http://journals.openedition.org/pallas/2735 |
| _version_ | 1811167808298418176 |
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| author | Marie Formarier |
| author_facet | Marie Formarier |
| author_sort | Marie Formarier |
| collection | DOAJ |
| description | This paper analyses the Cistercian model of “good” listening in the light of ancient designs, in particular the distinction scholarly perception and intuitive perception. The latter is often devalued in Antiquity because it does not appeal to reason and is only based on the pleasure of the ear; however, it is considered an essential parameter to consider in order to persuade both in music and in speech. Assuming this ancient heritage, the Cistercians adapt it to their specific needs. In Augustine’s line, they admit indeed an intuitive perception, provided it is inspired, may be beneficial in the practice of meditation. |
| first_indexed | 2024-04-10T16:15:16Z |
| format | Article |
| id | doaj.art-c7cba58157a94c29ad75e4f3206f8111 |
| institution | Directory Open Access Journal |
| issn | 0031-0387 2272-7639 |
| language | fra |
| last_indexed | 2024-04-10T16:15:16Z |
| publishDate | 2015-06-01 |
| publisher | Presses universitaires du Midi |
| record_format | Article |
| series | Pallas |
| spelling | doaj.art-c7cba58157a94c29ad75e4f3206f81112023-02-09T16:33:01ZfraPresses universitaires du MidiPallas0031-03872272-76392015-06-019818319610.4000/pallas.2735La perception intuitive chez les Cisterciens : quels modèles antiques ?Marie FormarierThis paper analyses the Cistercian model of “good” listening in the light of ancient designs, in particular the distinction scholarly perception and intuitive perception. The latter is often devalued in Antiquity because it does not appeal to reason and is only based on the pleasure of the ear; however, it is considered an essential parameter to consider in order to persuade both in music and in speech. Assuming this ancient heritage, the Cistercians adapt it to their specific needs. In Augustine’s line, they admit indeed an intuitive perception, provided it is inspired, may be beneficial in the practice of meditation.http://journals.openedition.org/pallas/2735Cisterciansperceptionmusicrhetoric |
| spellingShingle | Marie Formarier La perception intuitive chez les Cisterciens : quels modèles antiques ? Pallas Cistercians perception music rhetoric |
| title | La perception intuitive chez les Cisterciens : quels modèles antiques ? |
| title_full | La perception intuitive chez les Cisterciens : quels modèles antiques ? |
| title_fullStr | La perception intuitive chez les Cisterciens : quels modèles antiques ? |
| title_full_unstemmed | La perception intuitive chez les Cisterciens : quels modèles antiques ? |
| title_short | La perception intuitive chez les Cisterciens : quels modèles antiques ? |
| title_sort | la perception intuitive chez les cisterciens quels modeles antiques |
| topic | Cistercians perception music rhetoric |
| url | http://journals.openedition.org/pallas/2735 |
| work_keys_str_mv | AT marieformarier laperceptionintuitivechezlescisterciensquelsmodelesantiques |