The might and glory of the city celebrated – London’s theatricality in Peter Ackroyd’s The Clerkenwell Tales

Together with intertextuality, criminality, occultism and psychogeography, theatre culture and urban theatricality represent a cornerstone of Peter Ackroyd’s conception of London. The motif or theme of theatricality appears in all his London novels, most notably in Dan Leno and the Limehouse Golem...

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Main Author: Petr Chalupský
Format: Article
Language:English
Published: University of Pardubice 2013-12-01
Series:American and British Studies Annual
Subjects:
Online Access:https://absa.upce.cz/index.php/absa/article/view/2224
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author Petr Chalupský
author_facet Petr Chalupský
author_sort Petr Chalupský
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description Together with intertextuality, criminality, occultism and psychogeography, theatre culture and urban theatricality represent a cornerstone of Peter Ackroyd’s conception of London. The motif or theme of theatricality appears in all his London novels, most notably in Dan Leno and the Limehouse Golem (1994), as well as in his major theoretical works on London history and the development of the English literary sensibility. The aim of this article is to demonstrate how his novel The Clerkenwell Tales (2003), through its multiple plots and a miscellaneous cast of characters in the best Chaucerian tradition, portrays and vivifies various theatrical aspects of medieval London and its life.
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spelling doaj.art-c7db2260a26f42cf919355a5f4f277f62023-05-06T14:00:38ZengUniversity of PardubiceAmerican and British Studies Annual1803-60582788-22332013-12-016The might and glory of the city celebrated – London’s theatricality in Peter Ackroyd’s The Clerkenwell TalesPetr Chalupský0Charles University Together with intertextuality, criminality, occultism and psychogeography, theatre culture and urban theatricality represent a cornerstone of Peter Ackroyd’s conception of London. The motif or theme of theatricality appears in all his London novels, most notably in Dan Leno and the Limehouse Golem (1994), as well as in his major theoretical works on London history and the development of the English literary sensibility. The aim of this article is to demonstrate how his novel The Clerkenwell Tales (2003), through its multiple plots and a miscellaneous cast of characters in the best Chaucerian tradition, portrays and vivifies various theatrical aspects of medieval London and its life. https://absa.upce.cz/index.php/absa/article/view/2224LondontheatretheatricalityClerkenwellconspiracythe carnivalesque
spellingShingle Petr Chalupský
The might and glory of the city celebrated – London’s theatricality in Peter Ackroyd’s The Clerkenwell Tales
American and British Studies Annual
London
theatre
theatricality
Clerkenwell
conspiracy
the carnivalesque
title The might and glory of the city celebrated – London’s theatricality in Peter Ackroyd’s The Clerkenwell Tales
title_full The might and glory of the city celebrated – London’s theatricality in Peter Ackroyd’s The Clerkenwell Tales
title_fullStr The might and glory of the city celebrated – London’s theatricality in Peter Ackroyd’s The Clerkenwell Tales
title_full_unstemmed The might and glory of the city celebrated – London’s theatricality in Peter Ackroyd’s The Clerkenwell Tales
title_short The might and glory of the city celebrated – London’s theatricality in Peter Ackroyd’s The Clerkenwell Tales
title_sort might and glory of the city celebrated london s theatricality in peter ackroyd s the clerkenwell tales
topic London
theatre
theatricality
Clerkenwell
conspiracy
the carnivalesque
url https://absa.upce.cz/index.php/absa/article/view/2224
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