Let's Reset The Clock: Family Footage to Remediate Distance Created by Mourning

From Sherlock Jr. (1924) by Buster Keaton, to Laura by Shuji Terayama (1974), or Videodrome by David Cronenberg (1983), to more recent to Leto by Kirill Serebrennikov (2018), experimental and mainstream cinema has explored crossings through the screen to attempt erasing borders between the viewers a...

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Main Author: Elsa Gomis
Format: Article
Language:English
Published: University of Bologna 2021-02-01
Series:img journal
Subjects:
Online Access:https://img-journal.unibo.it/article/view/12258
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author Elsa Gomis
author_facet Elsa Gomis
author_sort Elsa Gomis
collection DOAJ
description From Sherlock Jr. (1924) by Buster Keaton, to Laura by Shuji Terayama (1974), or Videodrome by David Cronenberg (1983), to more recent to Leto by Kirill Serebrennikov (2018), experimental and mainstream cinema has explored crossings through the screen to attempt erasing borders between the viewers and those represented. Let’s Reset the Clock (from French On va remettre les pendules à l’heure), is a two-and-a-half minute colour video that I chose to inscribed in this tradition. In this artwork, split screen visual process is used to remove distances, in order to put two characters –I, the author, and my own grandmother– face to face. As the latter has passed away, Let’s Reset the Clock, constitutes an attempt to remediate distances created by the mourning and a reflection about the way images can bridge those separated by space and by the time.
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spelling doaj.art-c8111c3e4960486ca67d6f73c4298e2a2022-12-21T21:46:48ZengUniversity of Bolognaimg journal2724-24632021-02-01325826310.6092/issn.2724-2463/1225810563Let's Reset The Clock: Family Footage to Remediate Distance Created by MourningElsa Gomis0University of East Anglia; School of Art, Media, and American StudiesFrom Sherlock Jr. (1924) by Buster Keaton, to Laura by Shuji Terayama (1974), or Videodrome by David Cronenberg (1983), to more recent to Leto by Kirill Serebrennikov (2018), experimental and mainstream cinema has explored crossings through the screen to attempt erasing borders between the viewers and those represented. Let’s Reset the Clock (from French On va remettre les pendules à l’heure), is a two-and-a-half minute colour video that I chose to inscribed in this tradition. In this artwork, split screen visual process is used to remove distances, in order to put two characters –I, the author, and my own grandmother– face to face. As the latter has passed away, Let’s Reset the Clock, constitutes an attempt to remediate distances created by the mourning and a reflection about the way images can bridge those separated by space and by the time.https://img-journal.unibo.it/article/view/12258distancegriefheterotopiafamily footageimaginary
spellingShingle Elsa Gomis
Let's Reset The Clock: Family Footage to Remediate Distance Created by Mourning
img journal
distance
grief
heterotopia
family footage
imaginary
title Let's Reset The Clock: Family Footage to Remediate Distance Created by Mourning
title_full Let's Reset The Clock: Family Footage to Remediate Distance Created by Mourning
title_fullStr Let's Reset The Clock: Family Footage to Remediate Distance Created by Mourning
title_full_unstemmed Let's Reset The Clock: Family Footage to Remediate Distance Created by Mourning
title_short Let's Reset The Clock: Family Footage to Remediate Distance Created by Mourning
title_sort let s reset the clock family footage to remediate distance created by mourning
topic distance
grief
heterotopia
family footage
imaginary
url https://img-journal.unibo.it/article/view/12258
work_keys_str_mv AT elsagomis letsresettheclockfamilyfootagetoremediatedistancecreatedbymourning