Stradivari’s Varnish Revisited: Feature Improvements Using Chemical Modification

The most widespread varnish formulations used by master violin-makers of the “Italian Golden Age”, including Antonio Stradivari, were based on mixtures of siccative oils (e.g., linseed oil) and natural resins (e.g., colophony). Similar formulations are still used for the finish of contemporary instr...

Full description

Bibliographic Details
Main Authors: Maduka L. Weththimuni, Giacomo Fiocco, Chiara Milanese, Alberto Spinella, Maria Luisa Saladino, Marco Malagodi, Maurizio Licchelli
Format: Article
Language:English
Published: MDPI AG 2023-09-01
Series:Polymers
Subjects:
Online Access:https://www.mdpi.com/2073-4360/15/17/3652
_version_ 1797581937013948416
author Maduka L. Weththimuni
Giacomo Fiocco
Chiara Milanese
Alberto Spinella
Maria Luisa Saladino
Marco Malagodi
Maurizio Licchelli
author_facet Maduka L. Weththimuni
Giacomo Fiocco
Chiara Milanese
Alberto Spinella
Maria Luisa Saladino
Marco Malagodi
Maurizio Licchelli
author_sort Maduka L. Weththimuni
collection DOAJ
description The most widespread varnish formulations used by master violin-makers of the “Italian Golden Age”, including Antonio Stradivari, were based on mixtures of siccative oils (e.g., linseed oil) and natural resins (e.g., colophony). Similar formulations are still used for the finish of contemporary instruments. Although most precious violins made by Stradivari and other Cremonese Masters are kept in museums, several instruments are still played and their finish may undergo deterioration due to contact with the players. Moreover, the decay of the traditional varnish may occur due to mechanical stress and natural aging caused by environmental agents (e.g., exposure to uncontrolled light, humidity, and temperature changes). The main aim of this research work is to investigate the possible improvement of varnish resistance to the decay induced by different aging processes. For this purpose, the traditional varnish (linseed oil/colophony 3:1 <i>w</i>/<i>w</i>) was recreated in the laboratory following an ancient recipe and then it was functionalized with a cross-linking agent (3-Glycidyloxypropyltrimethoxysilane, GLYMO). Plain and functionalized varnishes underwent artificial aging (UV light, temperature, and humidity variations), and their properties were comparatively studied using different techniques. All the results suggest that the functionalized varnish displays improved resistance to the aging process and particularly enhanced photostability and increased hardness (resistance to scratches).
first_indexed 2024-03-10T23:14:43Z
format Article
id doaj.art-c8545f4269e14102a34d38b55083e095
institution Directory Open Access Journal
issn 2073-4360
language English
last_indexed 2024-03-10T23:14:43Z
publishDate 2023-09-01
publisher MDPI AG
record_format Article
series Polymers
spelling doaj.art-c8545f4269e14102a34d38b55083e0952023-11-19T08:44:37ZengMDPI AGPolymers2073-43602023-09-011517365210.3390/polym15173652Stradivari’s Varnish Revisited: Feature Improvements Using Chemical ModificationMaduka L. Weththimuni0Giacomo Fiocco1Chiara Milanese2Alberto Spinella3Maria Luisa Saladino4Marco Malagodi5Maurizio Licchelli6Department of Chemistry, University of Pavia, Via T. Taramelli 12, 27100 Pavia, ItalyResearch Center for the Conservation of Cultural Heritage (CISRiC), University of Pavia, Via A. Ferrata 3, 27100 Pavia, ItalyDepartment of Chemistry, University of Pavia, Via T. Taramelli 12, 27100 Pavia, ItalyAdvanced Technologies Network Center, University of Palermo, Viale delle Scienze, Ed. 18, 90128 Palermo, ItalyDepartment of Biological, Chemical, and Pharmaceutical Sciences and Technologies (STEBICEF), University of Palermo, Viale delle Scienze, Ed. 17, 90128 Palermo, ItalyResearch Center for the Conservation of Cultural Heritage (CISRiC), University of Pavia, Via A. Ferrata 3, 27100 Pavia, ItalyDepartment of Chemistry, University of Pavia, Via T. Taramelli 12, 27100 Pavia, ItalyThe most widespread varnish formulations used by master violin-makers of the “Italian Golden Age”, including Antonio Stradivari, were based on mixtures of siccative oils (e.g., linseed oil) and natural resins (e.g., colophony). Similar formulations are still used for the finish of contemporary instruments. Although most precious violins made by Stradivari and other Cremonese Masters are kept in museums, several instruments are still played and their finish may undergo deterioration due to contact with the players. Moreover, the decay of the traditional varnish may occur due to mechanical stress and natural aging caused by environmental agents (e.g., exposure to uncontrolled light, humidity, and temperature changes). The main aim of this research work is to investigate the possible improvement of varnish resistance to the decay induced by different aging processes. For this purpose, the traditional varnish (linseed oil/colophony 3:1 <i>w</i>/<i>w</i>) was recreated in the laboratory following an ancient recipe and then it was functionalized with a cross-linking agent (3-Glycidyloxypropyltrimethoxysilane, GLYMO). Plain and functionalized varnishes underwent artificial aging (UV light, temperature, and humidity variations), and their properties were comparatively studied using different techniques. All the results suggest that the functionalized varnish displays improved resistance to the aging process and particularly enhanced photostability and increased hardness (resistance to scratches).https://www.mdpi.com/2073-4360/15/17/3652Stradivariviolin varnisheslinseed oil/colophonySEM-EDSNMR
spellingShingle Maduka L. Weththimuni
Giacomo Fiocco
Chiara Milanese
Alberto Spinella
Maria Luisa Saladino
Marco Malagodi
Maurizio Licchelli
Stradivari’s Varnish Revisited: Feature Improvements Using Chemical Modification
Polymers
Stradivari
violin varnishes
linseed oil/colophony
SEM-EDS
NMR
title Stradivari’s Varnish Revisited: Feature Improvements Using Chemical Modification
title_full Stradivari’s Varnish Revisited: Feature Improvements Using Chemical Modification
title_fullStr Stradivari’s Varnish Revisited: Feature Improvements Using Chemical Modification
title_full_unstemmed Stradivari’s Varnish Revisited: Feature Improvements Using Chemical Modification
title_short Stradivari’s Varnish Revisited: Feature Improvements Using Chemical Modification
title_sort stradivari s varnish revisited feature improvements using chemical modification
topic Stradivari
violin varnishes
linseed oil/colophony
SEM-EDS
NMR
url https://www.mdpi.com/2073-4360/15/17/3652
work_keys_str_mv AT madukalweththimuni stradivarisvarnishrevisitedfeatureimprovementsusingchemicalmodification
AT giacomofiocco stradivarisvarnishrevisitedfeatureimprovementsusingchemicalmodification
AT chiaramilanese stradivarisvarnishrevisitedfeatureimprovementsusingchemicalmodification
AT albertospinella stradivarisvarnishrevisitedfeatureimprovementsusingchemicalmodification
AT marialuisasaladino stradivarisvarnishrevisitedfeatureimprovementsusingchemicalmodification
AT marcomalagodi stradivarisvarnishrevisitedfeatureimprovementsusingchemicalmodification
AT mauriziolicchelli stradivarisvarnishrevisitedfeatureimprovementsusingchemicalmodification