Road to Fame: Social Trajectory of Takahata Isao
This paper examines how Takahata Isao’s reputation as a filmmaker was established, focusing on the period between <i>Horus: The Prince of the Sun</i> (1968) and <i>Only Yesterday</i> (1991), using Pierre Bourdieu’s concepts of “field” and “consecration”. Through detailed anal...
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| Format: | Article |
| Language: | English |
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MDPI AG
2020-07-01
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| Series: | Arts |
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| Online Access: | https://www.mdpi.com/2076-0752/9/3/81 |