The Hierarchy of Countries in the Contemporary Art World and Market.
Although studies on globalisation have multiplied since the 1990s there are still rather few empirical sociological studies in this area of interest. Drawing upon the case of contemporary visual arts, this paper tries to highlight how discourses widespread within the art world on globalization, mét...
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Format: | Article |
Language: | deu |
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StudienVerlag
2006-08-01
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Series: | Österreichische Zeitschrift für Geschichtswissenschaften |
Online Access: | https://journals.univie.ac.at/index.php/oezg/article/view/4064 |
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author | Alain Quemin |
author_facet | Alain Quemin |
author_sort | Alain Quemin |
collection | DOAJ |
description | Although studies on globalisation have multiplied since the 1990s there are still rather few empirical sociological studies in this area of interest. Drawing upon the case of contemporary visual arts, this paper tries to highlight how discourses widespread within the art world on globalization, métissage and the abolition of boundaries are largely due to illusion. When objectifying the positions occupied by different countries in the artistic domain a very marked hierarchy becomes apparent. This hierarchy reveals that beyond the development of international exchange there subsist on the one hand a centre with well-defined outlines consisting of some Western countries (the United States and Germany taking the best places) and on the other hand a vast periphery, consisting of all the countries that do not belong to the first set. |
first_indexed | 2024-12-14T00:26:27Z |
format | Article |
id | doaj.art-c880c9a723f14f2c94c36723ddba9db5 |
institution | Directory Open Access Journal |
issn | 1016-765X 2707-966X |
language | deu |
last_indexed | 2024-12-14T00:26:27Z |
publishDate | 2006-08-01 |
publisher | StudienVerlag |
record_format | Article |
series | Österreichische Zeitschrift für Geschichtswissenschaften |
spelling | doaj.art-c880c9a723f14f2c94c36723ddba9db52022-12-21T23:25:02ZdeuStudienVerlagÖsterreichische Zeitschrift für Geschichtswissenschaften1016-765X2707-966X2006-08-01172&310.25365/oezg-2006-17-2-3The Hierarchy of Countries in the Contemporary Art World and Market.Alain Quemin0Laboratoire Techniques, Territoires et Sociétés (LATTS /CNRS) University of Marne-la-Vallée / Institut Universitaire de FranceAlthough studies on globalisation have multiplied since the 1990s there are still rather few empirical sociological studies in this area of interest. Drawing upon the case of contemporary visual arts, this paper tries to highlight how discourses widespread within the art world on globalization, métissage and the abolition of boundaries are largely due to illusion. When objectifying the positions occupied by different countries in the artistic domain a very marked hierarchy becomes apparent. This hierarchy reveals that beyond the development of international exchange there subsist on the one hand a centre with well-defined outlines consisting of some Western countries (the United States and Germany taking the best places) and on the other hand a vast periphery, consisting of all the countries that do not belong to the first set.https://journals.univie.ac.at/index.php/oezg/article/view/4064 |
spellingShingle | Alain Quemin The Hierarchy of Countries in the Contemporary Art World and Market. Österreichische Zeitschrift für Geschichtswissenschaften |
title | The Hierarchy of Countries in the Contemporary Art World and Market. |
title_full | The Hierarchy of Countries in the Contemporary Art World and Market. |
title_fullStr | The Hierarchy of Countries in the Contemporary Art World and Market. |
title_full_unstemmed | The Hierarchy of Countries in the Contemporary Art World and Market. |
title_short | The Hierarchy of Countries in the Contemporary Art World and Market. |
title_sort | hierarchy of countries in the contemporary art world and market |
url | https://journals.univie.ac.at/index.php/oezg/article/view/4064 |
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