Jacques Derrida’s (Art)Work of Mourning

Derrida’s highly personal mourning texts are collected and published in a unique book under the title The Work of Mourning edited by Pascale-Anne Brault and Michael Naas, two outstanding translators of Derrida’s works. The English collection is published in 2001, while the French edition came out la...

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Main Author: Antal Eva
Format: Article
Language:English
Published: Sciendo 2017-07-01
Series:Perichoresis: The Theological Journal of Emanuel University
Subjects:
Online Access:https://doi.org/10.1515/perc-2017-0008
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author Antal Eva
author_facet Antal Eva
author_sort Antal Eva
collection DOAJ
description Derrida’s highly personal mourning texts are collected and published in a unique book under the title The Work of Mourning edited by Pascale-Anne Brault and Michael Naas, two outstanding translators of Derrida’s works. The English collection is published in 2001, while the French edition came out later in 2003 titled Chaque fois unique, la fin du monde (Each Time Unique, the End of the World). In his deconstructed eulogies, Derrida, being in accordance with ‘the mission impossible’ of deconstruction, namely, ‘to allow the coming of the entirely other’ in its otherness, seems to find his own voice. In my paper, I will focus on this special segment of Derrida’s death-work (cf. life-work); namely, on his mourning texts written for his dead friends, paying special attention to the rhetoric ‘circling around’ fidelity, friendship, and the other in his textual mourning.
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spelling doaj.art-c8c726630f3e483da4edf658a2ee5fcf2022-12-21T21:49:35ZengSciendoPerichoresis: The Theological Journal of Emanuel University2284-73082017-07-01152253910.1515/perc-2017-0008perc-2017-0008Jacques Derrida’s (Art)Work of MourningAntal Eva0Eszterházy Károly UniversityDerrida’s highly personal mourning texts are collected and published in a unique book under the title The Work of Mourning edited by Pascale-Anne Brault and Michael Naas, two outstanding translators of Derrida’s works. The English collection is published in 2001, while the French edition came out later in 2003 titled Chaque fois unique, la fin du monde (Each Time Unique, the End of the World). In his deconstructed eulogies, Derrida, being in accordance with ‘the mission impossible’ of deconstruction, namely, ‘to allow the coming of the entirely other’ in its otherness, seems to find his own voice. In my paper, I will focus on this special segment of Derrida’s death-work (cf. life-work); namely, on his mourning texts written for his dead friends, paying special attention to the rhetoric ‘circling around’ fidelity, friendship, and the other in his textual mourning.https://doi.org/10.1515/perc-2017-0008mourningeulogyfriendshipotherfidelitysurvival
spellingShingle Antal Eva
Jacques Derrida’s (Art)Work of Mourning
Perichoresis: The Theological Journal of Emanuel University
mourning
eulogy
friendship
other
fidelity
survival
title Jacques Derrida’s (Art)Work of Mourning
title_full Jacques Derrida’s (Art)Work of Mourning
title_fullStr Jacques Derrida’s (Art)Work of Mourning
title_full_unstemmed Jacques Derrida’s (Art)Work of Mourning
title_short Jacques Derrida’s (Art)Work of Mourning
title_sort jacques derrida s art work of mourning
topic mourning
eulogy
friendship
other
fidelity
survival
url https://doi.org/10.1515/perc-2017-0008
work_keys_str_mv AT antaleva jacquesderridasartworkofmourning