MI(N)ORITY – FROM THE CREATION OF THE DRAMATIC TEXT TO THE THEATRICAL PRODUCTION

The article describes the stages of creation by the playwright, director and actors for the purpose of creating the documentary performance MI(N)ORITY . The actors describe ideological conflicts, discrimination cases, anti-Semitic prejudices, xenophobic and racist ideas in a society that claims t...

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Main Author: STARCIUC MARIANA
Format: Article
Language:deu
Published: Notograf Prim 2017-12-01
Series:Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
Subjects:
Online Access:http://revista.amtap.md/wp-content/files_mf/152664581421_Starciuc_Minority%E2%80%93delacreareatextuluidramaticlarealizareaspectacolului.pdf
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author STARCIUC MARIANA
author_facet STARCIUC MARIANA
author_sort STARCIUC MARIANA
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description The article describes the stages of creation by the playwright, director and actors for the purpose of creating the documentary performance MI(N)ORITY . The actors describe ideological conflicts, discrimination cases, anti-Semitic prejudices, xenophobic and racist ideas in a society that claims to be democratic, but also the life stories of representatives of ethnic communities who have integrated into social life; the cultural diversity in Moldova, the specifics and traditions of the ethnic groups in the country. MI(N)ORITY is one of the first steps of the Moldovan theatre approaching ethnic minority issues, based on interviews with their representatives.
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spelling doaj.art-c8d4024c362343fc823a56f845ec8d522022-12-22T00:02:40ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-14082345-18312017-12-012(31)118124MI(N)ORITY – FROM THE CREATION OF THE DRAMATIC TEXT TO THE THEATRICAL PRODUCTION STARCIUC MARIANA0Academy of Music, Theatre and Fine ArtsThe article describes the stages of creation by the playwright, director and actors for the purpose of creating the documentary performance MI(N)ORITY . The actors describe ideological conflicts, discrimination cases, anti-Semitic prejudices, xenophobic and racist ideas in a society that claims to be democratic, but also the life stories of representatives of ethnic communities who have integrated into social life; the cultural diversity in Moldova, the specifics and traditions of the ethnic groups in the country. MI(N)ORITY is one of the first steps of the Moldovan theatre approaching ethnic minority issues, based on interviews with their representatives.http://revista.amtap.md/wp-content/files_mf/152664581421_Starciuc_Minority%E2%80%93delacreareatextuluidramaticlarealizareaspectacolului.pdfverbatim methodfictionethnicitypopulation censuspollcollagenationalist ideasideological conflictsdiscriminationanti-Semitismxenophobiaracismdemocracydramaturgydirectionactorminority
spellingShingle STARCIUC MARIANA
MI(N)ORITY – FROM THE CREATION OF THE DRAMATIC TEXT TO THE THEATRICAL PRODUCTION
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
verbatim method
fiction
ethnicity
population census
poll
collage
nationalist ideas
ideological conflicts
discrimination
anti-Semitism
xenophobia
racism
democracy
dramaturgy
direction
actor
minority
title MI(N)ORITY – FROM THE CREATION OF THE DRAMATIC TEXT TO THE THEATRICAL PRODUCTION
title_full MI(N)ORITY – FROM THE CREATION OF THE DRAMATIC TEXT TO THE THEATRICAL PRODUCTION
title_fullStr MI(N)ORITY – FROM THE CREATION OF THE DRAMATIC TEXT TO THE THEATRICAL PRODUCTION
title_full_unstemmed MI(N)ORITY – FROM THE CREATION OF THE DRAMATIC TEXT TO THE THEATRICAL PRODUCTION
title_short MI(N)ORITY – FROM THE CREATION OF THE DRAMATIC TEXT TO THE THEATRICAL PRODUCTION
title_sort mi n ority from the creation of the dramatic text to the theatrical production
topic verbatim method
fiction
ethnicity
population census
poll
collage
nationalist ideas
ideological conflicts
discrimination
anti-Semitism
xenophobia
racism
democracy
dramaturgy
direction
actor
minority
url http://revista.amtap.md/wp-content/files_mf/152664581421_Starciuc_Minority%E2%80%93delacreareatextuluidramaticlarealizareaspectacolului.pdf
work_keys_str_mv AT starciucmariana minorityfromthecreationofthedramatictexttothetheatricalproduction