Nature and Magic as Representation of “The Sami”—Sami Shamanistic Material in Popular Culture

This article examines how magic and nature become representations of both “the Sami” and “Sami shamanism” in animation films <i>Frozen 2</i> and <i>Klaus</i>, in the television crime series <i>Midnattssol</i> (<i>Midnight Sun</i>) and in three Eurovisi...

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Main Author: Anne Kalvig
Format: Article
Language:English
Published: MDPI AG 2020-09-01
Series:Religions
Subjects:
Online Access:https://www.mdpi.com/2077-1444/11/9/453
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author Anne Kalvig
author_facet Anne Kalvig
author_sort Anne Kalvig
collection DOAJ
description This article examines how magic and nature become representations of both “the Sami” and “Sami shamanism” in animation films <i>Frozen 2</i> and <i>Klaus</i>, in the television crime series <i>Midnattssol</i> (<i>Midnight Sun</i>) and in three Eurovision Song Contest contributions partly by Sami artists, containing <i>joik</i>. With a methodological ludism approach and with material theory, the article asks how “the Sami” and shamanism are made relevant as spiritual or religious categories within popular cultural products, and how (and why) spirituality is being constructed and communicated on a more general level in a time of eco-crisis, where there is a growing global interest in perceived shamanistic and animistic perceptions of the world, nature, and ourselves.
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spelling doaj.art-c91c85b8bacc46e48c250024501cb97c2023-11-20T12:40:39ZengMDPI AGReligions2077-14442020-09-0111945310.3390/rel11090453Nature and Magic as Representation of “The Sami”—Sami Shamanistic Material in Popular CultureAnne Kalvig0Department of Cultural Studies and Languages, Faculty of Arts and Education, University of Stavanger, 4036 Stavanger, NorwayThis article examines how magic and nature become representations of both “the Sami” and “Sami shamanism” in animation films <i>Frozen 2</i> and <i>Klaus</i>, in the television crime series <i>Midnattssol</i> (<i>Midnight Sun</i>) and in three Eurovision Song Contest contributions partly by Sami artists, containing <i>joik</i>. With a methodological ludism approach and with material theory, the article asks how “the Sami” and shamanism are made relevant as spiritual or religious categories within popular cultural products, and how (and why) spirituality is being constructed and communicated on a more general level in a time of eco-crisis, where there is a growing global interest in perceived shamanistic and animistic perceptions of the world, nature, and ourselves.https://www.mdpi.com/2077-1444/11/9/453SamiSami shamanismanimismpopular cultureludismmaterialist turn
spellingShingle Anne Kalvig
Nature and Magic as Representation of “The Sami”—Sami Shamanistic Material in Popular Culture
Religions
Sami
Sami shamanism
animism
popular culture
ludism
materialist turn
title Nature and Magic as Representation of “The Sami”—Sami Shamanistic Material in Popular Culture
title_full Nature and Magic as Representation of “The Sami”—Sami Shamanistic Material in Popular Culture
title_fullStr Nature and Magic as Representation of “The Sami”—Sami Shamanistic Material in Popular Culture
title_full_unstemmed Nature and Magic as Representation of “The Sami”—Sami Shamanistic Material in Popular Culture
title_short Nature and Magic as Representation of “The Sami”—Sami Shamanistic Material in Popular Culture
title_sort nature and magic as representation of the sami sami shamanistic material in popular culture
topic Sami
Sami shamanism
animism
popular culture
ludism
materialist turn
url https://www.mdpi.com/2077-1444/11/9/453
work_keys_str_mv AT annekalvig natureandmagicasrepresentationofthesamisamishamanisticmaterialinpopularculture