Paul Fraisse’s Psychology of Rhythm: A Case for Filmology?
My contribution aims to discuss the topic of rhythm as presented by the classic psychologist and filmologist, Paul Fraisse (1911-1994) in his founding studies, to understand its scope, and to consider the possible inheritance to be spent in contemporary research on film. I will first outline Fraiss...
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| Format: | Article |
| Language: | English |
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Milano University Press
2022-06-01
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| Series: | Cinéma & Cie |
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| Online Access: | https://riviste.unimi.it/index.php/cinemaetcie/article/view/17202 |