Remixing as a Ludus-Component of the Modern Culture

The modern development of culture motivates the appearance of new modifications of the play element, based on the concept of Homo Ludens by J. Huizinga. The article substantiates a new scientific concept – remixing as the dominant principle of the organization of artistic matter. A definition of thi...

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Main Author: Kateryna PIDPORINOVA
Format: Article
Language:English
Published: Babeș-Bolyai University 2023-12-01
Series:Studia Universitatis Babeş-Bolyai. Musica
Subjects:
Online Access:http://193.231.18.162/index.php/subbmusica/article/view/6861
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author Kateryna PIDPORINOVA
author_facet Kateryna PIDPORINOVA
author_sort Kateryna PIDPORINOVA
collection DOAJ
description The modern development of culture motivates the appearance of new modifications of the play element, based on the concept of Homo Ludens by J. Huizinga. The article substantiates a new scientific concept – remixing as the dominant principle of the organization of artistic matter. A definition of this concept is provided. The specificity of its manifestation is thought over using examples from pop culture, academic musical art (in particular, the creativity of the pianist-composer M.-A. Hamelin, the sketch duo Igudesman & Joo, the Rondo Veneziano orchestra), authentic performance, the opera genre (productions of “Alcina” by G. Handel, “La Cenerentola” by G. Rossini), products of the TV industry. The main vectors of the remixing process are characterized in accordance with the realization of the final artistic goal. The organic nature of the interaction of play logic with the combinatorial thinking of Homo Modernus is revealed.
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spelling doaj.art-c92ef152a2b543a38170066d866cd8c82024-01-08T09:41:26ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282023-12-0168210.24193/subbmusica.2023.2.04Remixing as a Ludus-Component of the Modern CultureKateryna PIDPORINOVA0Associate Professor of the Piano Accompaniment Department, Kharkiv I. P. Kotlyarevsky National University of Arts, Ukraine. E-mail: katerynapidporinova@gmail.comThe modern development of culture motivates the appearance of new modifications of the play element, based on the concept of Homo Ludens by J. Huizinga. The article substantiates a new scientific concept – remixing as the dominant principle of the organization of artistic matter. A definition of this concept is provided. The specificity of its manifestation is thought over using examples from pop culture, academic musical art (in particular, the creativity of the pianist-composer M.-A. Hamelin, the sketch duo Igudesman & Joo, the Rondo Veneziano orchestra), authentic performance, the opera genre (productions of “Alcina” by G. Handel, “La Cenerentola” by G. Rossini), products of the TV industry. The main vectors of the remixing process are characterized in accordance with the realization of the final artistic goal. The organic nature of the interaction of play logic with the combinatorial thinking of Homo Modernus is revealed. http://193.231.18.162/index.php/subbmusica/article/view/6861principle of remixing, modern culture, remix, play element, Homo Ludens, Homo Modernus.
spellingShingle Kateryna PIDPORINOVA
Remixing as a Ludus-Component of the Modern Culture
Studia Universitatis Babeş-Bolyai. Musica
principle of remixing, modern culture, remix, play element, Homo Ludens, Homo Modernus.
title Remixing as a Ludus-Component of the Modern Culture
title_full Remixing as a Ludus-Component of the Modern Culture
title_fullStr Remixing as a Ludus-Component of the Modern Culture
title_full_unstemmed Remixing as a Ludus-Component of the Modern Culture
title_short Remixing as a Ludus-Component of the Modern Culture
title_sort remixing as a ludus component of the modern culture
topic principle of remixing, modern culture, remix, play element, Homo Ludens, Homo Modernus.
url http://193.231.18.162/index.php/subbmusica/article/view/6861
work_keys_str_mv AT katerynapidporinova remixingasaluduscomponentofthemodernculture