L’Algérie coloniale, ou l’Andalousie heureuse

The Algerian civil war of the 1990s created the conditions of possibility for the development of an “Andalusian myth” of colonial Algeria among Algerian writers exiled in France. These Algerian-writers-cum-underground-historians, who in France discovered the pied noir community, recall—as intellectu...

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Main Author: Tristan Leperlier
Format: Article
Language:fra
Published: Éditions de la Sorbonne 2018-05-01
Series:Socio-anthropologie
Subjects:
Online Access:http://journals.openedition.org/socio-anthropologie/3299
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author Tristan Leperlier
author_facet Tristan Leperlier
author_sort Tristan Leperlier
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description The Algerian civil war of the 1990s created the conditions of possibility for the development of an “Andalusian myth” of colonial Algeria among Algerian writers exiled in France. These Algerian-writers-cum-underground-historians, who in France discovered the pied noir community, recall—as intellectuals, Francophones and laypeople (or at least anti-Islamists)—the intellectual refinement, cultural mixity and religious tolerance of the past, particularly that of the French presence. But through the rehabilitation of the figure of the pied noir, what is at stake is less the cultural mixity of the colonial period than the denunciation of the current imposition of a strict Arab-Muslim identity in Algeria. The texts of the period, particularly La Gardienne des ombres by Waciny Laredj, depict a lost, pre-exile, plural Andalusia, which stands apart from the ruins.
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spelling doaj.art-c97cfe7f69cf4af5ba23b566e26b98dd2022-12-22T02:25:07ZfraÉditions de la SorbonneSocio-anthropologie1276-87071773-018X2018-05-013710712110.4000/socio-anthropologie.3299L’Algérie coloniale, ou l’Andalousie heureuseTristan LeperlierThe Algerian civil war of the 1990s created the conditions of possibility for the development of an “Andalusian myth” of colonial Algeria among Algerian writers exiled in France. These Algerian-writers-cum-underground-historians, who in France discovered the pied noir community, recall—as intellectuals, Francophones and laypeople (or at least anti-Islamists)—the intellectual refinement, cultural mixity and religious tolerance of the past, particularly that of the French presence. But through the rehabilitation of the figure of the pied noir, what is at stake is less the cultural mixity of the colonial period than the denunciation of the current imposition of a strict Arab-Muslim identity in Algeria. The texts of the period, particularly La Gardienne des ombres by Waciny Laredj, depict a lost, pre-exile, plural Andalusia, which stands apart from the ruins.http://journals.openedition.org/socio-anthropologie/3299Colonial AlgeriaLiteratureExileMixity
spellingShingle Tristan Leperlier
L’Algérie coloniale, ou l’Andalousie heureuse
Socio-anthropologie
Colonial Algeria
Literature
Exile
Mixity
title L’Algérie coloniale, ou l’Andalousie heureuse
title_full L’Algérie coloniale, ou l’Andalousie heureuse
title_fullStr L’Algérie coloniale, ou l’Andalousie heureuse
title_full_unstemmed L’Algérie coloniale, ou l’Andalousie heureuse
title_short L’Algérie coloniale, ou l’Andalousie heureuse
title_sort l algerie coloniale ou l andalousie heureuse
topic Colonial Algeria
Literature
Exile
Mixity
url http://journals.openedition.org/socio-anthropologie/3299
work_keys_str_mv AT tristanleperlier lalgeriecolonialeoulandalousieheureuse