Visual images of beauty of the word in the Persian poetry of XVI - the beginning of XVIII century: the Indian style and painting by word
The article is devoted to the problem of changing stylistic paradigm in the Persian poetry of XVI-XVII centuries and reflection of this process in self-consciousness of outstanding authors of the period. Parallel with preserving stable norms of traditional poetics literary practice demonstrates flex...
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| Format: | Article |
| Language: | deu |
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Peoples’ Friendship University of Russia (RUDN University)
2020-12-01
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| Series: | RUDN Journal of Philosophy |
| Subjects: | |
| Online Access: | http://journals.rudn.ru/philosophy/article/viewFile/23088/17920 |
| _version_ | 1811322936984862720 |
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| author | Marina L. Reisner |
| author_facet | Marina L. Reisner |
| author_sort | Marina L. Reisner |
| collection | DOAJ |
| description | The article is devoted to the problem of changing stylistic paradigm in the Persian poetry of XVI-XVII centuries and reflection of this process in self-consciousness of outstanding authors of the period. Parallel with preserving stable norms of traditional poetics literary practice demonstrates flexibility and forms new range of popular poetic strategies. New aesthetic criteria if ideal poetic language, expressed with epithet ‘colourful’ ( rangin ), appears alongside with criteria of previous period, expressed with epithet ‘sweet’ ( shirin ) and step by step gets leadership. Lyric poetry ( qhazal ) of three famous authors of the period of formation and golden age of Indian style served the object of analyses. The phenomena of visualization of imagery connected with perfect poetic language illustrated by examples of ‘Poet and Poetry’ motifs located in ‘frame text’ in end of the qhazal . These motifs serve one of the regular contexts of author’s name ( takhallus ) and show author’s attitude to his creation, including stylistic preferences. Refinement of poetic fantasy being declared basic condition of creating perfect poetry described visually as coiling lasso, poetry itself as flourishing garden, fountain or European house decorated with painting. Such characteristic of word creation has analogies in the works of Baroque style theorist Giambattista Marino (1569-1625). |
| first_indexed | 2024-04-13T13:44:59Z |
| format | Article |
| id | doaj.art-ca268f476cc249e982ea1e3054f05542 |
| institution | Directory Open Access Journal |
| issn | 2313-2302 2408-8900 |
| language | deu |
| last_indexed | 2024-04-13T13:44:59Z |
| publishDate | 2020-12-01 |
| publisher | Peoples’ Friendship University of Russia (RUDN University) |
| record_format | Article |
| series | RUDN Journal of Philosophy |
| spelling | doaj.art-ca268f476cc249e982ea1e3054f055422022-12-22T02:44:31ZdeuPeoples’ Friendship University of Russia (RUDN University)RUDN Journal of Philosophy2313-23022408-89002020-12-01241122210.22363/2313-2302-2020-24-1-12-2218595Visual images of beauty of the word in the Persian poetry of XVI - the beginning of XVIII century: the Indian style and painting by wordMarina L. Reisner0Lomonosov Moscow State UniversityThe article is devoted to the problem of changing stylistic paradigm in the Persian poetry of XVI-XVII centuries and reflection of this process in self-consciousness of outstanding authors of the period. Parallel with preserving stable norms of traditional poetics literary practice demonstrates flexibility and forms new range of popular poetic strategies. New aesthetic criteria if ideal poetic language, expressed with epithet ‘colourful’ ( rangin ), appears alongside with criteria of previous period, expressed with epithet ‘sweet’ ( shirin ) and step by step gets leadership. Lyric poetry ( qhazal ) of three famous authors of the period of formation and golden age of Indian style served the object of analyses. The phenomena of visualization of imagery connected with perfect poetic language illustrated by examples of ‘Poet and Poetry’ motifs located in ‘frame text’ in end of the qhazal . These motifs serve one of the regular contexts of author’s name ( takhallus ) and show author’s attitude to his creation, including stylistic preferences. Refinement of poetic fantasy being declared basic condition of creating perfect poetry described visually as coiling lasso, poetry itself as flourishing garden, fountain or European house decorated with painting. Such characteristic of word creation has analogies in the works of Baroque style theorist Giambattista Marino (1569-1625).http://journals.rudn.ru/philosophy/article/viewFile/23088/17920epoch style‘primary’ style‘secondary’ styleindian style‘frame text’author’s self-consciousnessvisualization of image |
| spellingShingle | Marina L. Reisner Visual images of beauty of the word in the Persian poetry of XVI - the beginning of XVIII century: the Indian style and painting by word RUDN Journal of Philosophy epoch style ‘primary’ style ‘secondary’ style indian style ‘frame text’ author’s self-consciousness visualization of image |
| title | Visual images of beauty of the word in the Persian poetry of XVI - the beginning of XVIII century: the Indian style and painting by word |
| title_full | Visual images of beauty of the word in the Persian poetry of XVI - the beginning of XVIII century: the Indian style and painting by word |
| title_fullStr | Visual images of beauty of the word in the Persian poetry of XVI - the beginning of XVIII century: the Indian style and painting by word |
| title_full_unstemmed | Visual images of beauty of the word in the Persian poetry of XVI - the beginning of XVIII century: the Indian style and painting by word |
| title_short | Visual images of beauty of the word in the Persian poetry of XVI - the beginning of XVIII century: the Indian style and painting by word |
| title_sort | visual images of beauty of the word in the persian poetry of xvi the beginning of xviii century the indian style and painting by word |
| topic | epoch style ‘primary’ style ‘secondary’ style indian style ‘frame text’ author’s self-consciousness visualization of image |
| url | http://journals.rudn.ru/philosophy/article/viewFile/23088/17920 |
| work_keys_str_mv | AT marinalreisner visualimagesofbeautyofthewordinthepersianpoetryofxvithebeginningofxviiicenturytheindianstyleandpaintingbyword |