Margins of Music
The poetics of Marko Radmio (1910–1996) was marked by the rejection of the concept of “composer,” with the argument that the term implies the reduction of that which is musical to knowledge and technique. In contrast, in the forgotten German expression Tondichter (tone poet) Radmio found preserved t...
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| Format: | Article |
| Language: | deu |
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University of Ljubljana Press (Založba Univerze v Ljubljani)
2018-11-01
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| Series: | Muzikološki Zbornik |
| Subjects: | |
| Online Access: | https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/8155 |
| _version_ | 1797948952817958912 |
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| author | Dalibor Davidović |
| author_facet | Dalibor Davidović |
| author_sort | Dalibor Davidović |
| collection | DOAJ |
| description | The poetics of Marko Radmio (1910–1996) was marked by the rejection of the concept of “composer,” with the argument that the term implies the reduction of that which is musical to knowledge and technique. In contrast, in the forgotten German expression Tondichter (tone poet) Radmio found preserved the essence of the musical and therefore used this term when trying to designate his own activities. In this paper, the consequences of this change are explored both through Radmio’s music and through his thoughts on music. |
| first_indexed | 2024-04-10T21:51:37Z |
| format | Article |
| id | doaj.art-ca50cc718281414b80816b9d18c657d5 |
| institution | Directory Open Access Journal |
| issn | 0580-373X 2350-4242 |
| language | deu |
| last_indexed | 2024-04-10T21:51:37Z |
| publishDate | 2018-11-01 |
| publisher | University of Ljubljana Press (Založba Univerze v Ljubljani) |
| record_format | Article |
| series | Muzikološki Zbornik |
| spelling | doaj.art-ca50cc718281414b80816b9d18c657d52023-01-18T12:56:57ZdeuUniversity of Ljubljana Press (Založba Univerze v Ljubljani)Muzikološki Zbornik0580-373X2350-42422018-11-0154216518610.4312/mz.54.2.165-1867163Margins of MusicDalibor Davidović0Music Academy Zagreb, University of ZagrebThe poetics of Marko Radmio (1910–1996) was marked by the rejection of the concept of “composer,” with the argument that the term implies the reduction of that which is musical to knowledge and technique. In contrast, in the forgotten German expression Tondichter (tone poet) Radmio found preserved the essence of the musical and therefore used this term when trying to designate his own activities. In this paper, the consequences of this change are explored both through Radmio’s music and through his thoughts on music.https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/8155avant-garde, tondichter, marginality, double life, solitude |
| spellingShingle | Dalibor Davidović Margins of Music Muzikološki Zbornik avant-garde, tondichter, marginality, double life, solitude |
| title | Margins of Music |
| title_full | Margins of Music |
| title_fullStr | Margins of Music |
| title_full_unstemmed | Margins of Music |
| title_short | Margins of Music |
| title_sort | margins of music |
| topic | avant-garde, tondichter, marginality, double life, solitude |
| url | https://journals.uni-lj.si/MuzikoloskiZbornik/article/view/8155 |
| work_keys_str_mv | AT dalibordavidovic marginsofmusic |