Framing homosexual identities in Cameroonian literature

What language exists to describe the lives of women and sexual minorities who live in Cameroon? In this paper, I demonstrate how a selection of contemporary works of fiction use their narratives to create a space and language for the experiences of LGBT individuals within the cultural imaginary of S...

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Main Author: Frieda Ekotto
Format: Article
Language:Afrikaans
Published: Tydskrif vir Letterkunde Association 2016-04-01
Series:Tydskrif vir Letterkunde
Subjects:
Online Access:https://journals.assaf.org.za/index.php/tvl/article/view/1177
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author Frieda Ekotto
author_facet Frieda Ekotto
author_sort Frieda Ekotto
collection DOAJ
description What language exists to describe the lives of women and sexual minorities who live in Cameroon? In this paper, I demonstrate how a selection of contemporary works of fiction use their narratives to create a space and language for the experiences of LGBT individuals within the cultural imaginary of Sub-Saharan Africa. Texts such as my own Jeune fille de Bona Mbella (2010), Max Lobe’s 39 Rue de Berne (2013) and Chimamanda Adichie’s “Jumping Monkey Hill” describe the personal lives of both women and sexual minorities, and show how their experiences are intertwined with socio-political realities. I give close attention to the stories’ different possible meanings, and place them in their socio-historical contexts in order to make an important intervention into the literary history of Cameroon: LGBT work must be included in our discussions of contemporary Cameroonian cultural production. It is part of our modernity.
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spelling doaj.art-caae40a98a9b49ad892161712c77c2d62022-12-22T01:57:54ZafrTydskrif vir Letterkunde AssociationTydskrif vir Letterkunde0041-476X2309-90702016-04-0153110.4314/tvl.v53i1.8Framing homosexual identities in Cameroonian literatureFrieda Ekotto0University of MichiganWhat language exists to describe the lives of women and sexual minorities who live in Cameroon? In this paper, I demonstrate how a selection of contemporary works of fiction use their narratives to create a space and language for the experiences of LGBT individuals within the cultural imaginary of Sub-Saharan Africa. Texts such as my own Jeune fille de Bona Mbella (2010), Max Lobe’s 39 Rue de Berne (2013) and Chimamanda Adichie’s “Jumping Monkey Hill” describe the personal lives of both women and sexual minorities, and show how their experiences are intertwined with socio-political realities. I give close attention to the stories’ different possible meanings, and place them in their socio-historical contexts in order to make an important intervention into the literary history of Cameroon: LGBT work must be included in our discussions of contemporary Cameroonian cultural production. It is part of our modernity.https://journals.assaf.org.za/index.php/tvl/article/view/1177Camerooncollective imaginaryhomosexual identitiesLGBT activism
spellingShingle Frieda Ekotto
Framing homosexual identities in Cameroonian literature
Tydskrif vir Letterkunde
Cameroon
collective imaginary
homosexual identities
LGBT activism
title Framing homosexual identities in Cameroonian literature
title_full Framing homosexual identities in Cameroonian literature
title_fullStr Framing homosexual identities in Cameroonian literature
title_full_unstemmed Framing homosexual identities in Cameroonian literature
title_short Framing homosexual identities in Cameroonian literature
title_sort framing homosexual identities in cameroonian literature
topic Cameroon
collective imaginary
homosexual identities
LGBT activism
url https://journals.assaf.org.za/index.php/tvl/article/view/1177
work_keys_str_mv AT friedaekotto framinghomosexualidentitiesincameroonianliterature