The Spiritual Reformation of Theatrical Practice: Interculturalism and the Modern Times Stage Company

By examining the rehearsal strategies of Modern Times Stage Company of Toronto, co-founded and co-led by Iranian-Canadian director Soheil Parsa and Peter Farbridge, the author, this article explores the intra- and inter-personal communication that allows for interweaving of cultures within the compl...

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Main Author: Peter Farbridge
Format: Article
Language:English
Published: IATC 2020-06-01
Series:Critical Stages
Subjects:
Online Access:https://www.critical-stages.org/21/the-spiritual-reformation-of-theatrical-practice-a-modern-times-stage-company-workshop-with-soheil-parsa/
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author Peter Farbridge
author_facet Peter Farbridge
author_sort Peter Farbridge
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description By examining the rehearsal strategies of Modern Times Stage Company of Toronto, co-founded and co-led by Iranian-Canadian director Soheil Parsa and Peter Farbridge, the author, this article explores the intra- and inter-personal communication that allows for interweaving of cultures within the complex social relationships of intercultural theatre. As a case study, it discusses Parsa’s rehearsal process with a Francophone cast of different cultural backgrounds of Bahram Beyz’aie’s play Aurash that took place in Montreal between 19 and 26 November 2019. The main focus is on how different histories and experiences position the artists in relation to each other in Modern Times’ intercultural theatre practices.
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spelling doaj.art-cace3defd34f4c60b476fc0875537b712022-12-22T04:15:18ZengIATCCritical Stages2409-74112020-06-0121The Spiritual Reformation of Theatrical Practice: Interculturalism and the Modern Times Stage CompanyPeter FarbridgeBy examining the rehearsal strategies of Modern Times Stage Company of Toronto, co-founded and co-led by Iranian-Canadian director Soheil Parsa and Peter Farbridge, the author, this article explores the intra- and inter-personal communication that allows for interweaving of cultures within the complex social relationships of intercultural theatre. As a case study, it discusses Parsa’s rehearsal process with a Francophone cast of different cultural backgrounds of Bahram Beyz’aie’s play Aurash that took place in Montreal between 19 and 26 November 2019. The main focus is on how different histories and experiences position the artists in relation to each other in Modern Times’ intercultural theatre practices.https://www.critical-stages.org/21/the-spiritual-reformation-of-theatrical-practice-a-modern-times-stage-company-workshop-with-soheil-parsa/intercultural theatrerehearsal practiceethical relationalitymodern times stage companyutopias
spellingShingle Peter Farbridge
The Spiritual Reformation of Theatrical Practice: Interculturalism and the Modern Times Stage Company
Critical Stages
intercultural theatre
rehearsal practice
ethical relationality
modern times stage company
utopias
title The Spiritual Reformation of Theatrical Practice: Interculturalism and the Modern Times Stage Company
title_full The Spiritual Reformation of Theatrical Practice: Interculturalism and the Modern Times Stage Company
title_fullStr The Spiritual Reformation of Theatrical Practice: Interculturalism and the Modern Times Stage Company
title_full_unstemmed The Spiritual Reformation of Theatrical Practice: Interculturalism and the Modern Times Stage Company
title_short The Spiritual Reformation of Theatrical Practice: Interculturalism and the Modern Times Stage Company
title_sort spiritual reformation of theatrical practice interculturalism and the modern times stage company
topic intercultural theatre
rehearsal practice
ethical relationality
modern times stage company
utopias
url https://www.critical-stages.org/21/the-spiritual-reformation-of-theatrical-practice-a-modern-times-stage-company-workshop-with-soheil-parsa/
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