Of Women, Wine and Salt: Revisioning the Home in Harriet Prescott Spofford’s Detective Fiction

Although Harriet Prescott Spofford appears to have given up the genre of detective fiction in the late 1860s, she actually used it as the foundation for works in which suspense, sudden revelations and unexpected final twists serve her investigation of various social ills, especially those affecting...

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Main Author: Stéphanie Durrans
Format: Article
Language:English
Published: European Association for American Studies
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/15021
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author Stéphanie Durrans
author_facet Stéphanie Durrans
author_sort Stéphanie Durrans
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description Although Harriet Prescott Spofford appears to have given up the genre of detective fiction in the late 1860s, she actually used it as the foundation for works in which suspense, sudden revelations and unexpected final twists serve her investigation of various social ills, especially those affecting the place and condition of women in the society of her times. This paper examines three detective stories written by Spofford between 1859 and 1868 in an attempt to retrace the birth and development of her chief detective figure, from the wine cellar in which he is figuratively born to the dark depths of the cellar where he is left stranded at the end of the last tale. The patterns of convergence that can be traced between these three tales highlight Spofford’s vision of the home as a highly unstable ground whose shaky foundations are best reflected through the metaphor of the cellar.
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spelling doaj.art-cae763039d43452c83c6febbe87420d82024-02-14T13:21:59ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-933614310.4000/ejas.15021Of Women, Wine and Salt: Revisioning the Home in Harriet Prescott Spofford’s Detective FictionStéphanie DurransAlthough Harriet Prescott Spofford appears to have given up the genre of detective fiction in the late 1860s, she actually used it as the foundation for works in which suspense, sudden revelations and unexpected final twists serve her investigation of various social ills, especially those affecting the place and condition of women in the society of her times. This paper examines three detective stories written by Spofford between 1859 and 1868 in an attempt to retrace the birth and development of her chief detective figure, from the wine cellar in which he is figuratively born to the dark depths of the cellar where he is left stranded at the end of the last tale. The patterns of convergence that can be traced between these three tales highlight Spofford’s vision of the home as a highly unstable ground whose shaky foundations are best reflected through the metaphor of the cellar.https://journals.openedition.org/ejas/15021Harriet Prescott Spofforddetective fictiongender roleshomecellars
spellingShingle Stéphanie Durrans
Of Women, Wine and Salt: Revisioning the Home in Harriet Prescott Spofford’s Detective Fiction
European Journal of American Studies
Harriet Prescott Spofford
detective fiction
gender roles
home
cellars
title Of Women, Wine and Salt: Revisioning the Home in Harriet Prescott Spofford’s Detective Fiction
title_full Of Women, Wine and Salt: Revisioning the Home in Harriet Prescott Spofford’s Detective Fiction
title_fullStr Of Women, Wine and Salt: Revisioning the Home in Harriet Prescott Spofford’s Detective Fiction
title_full_unstemmed Of Women, Wine and Salt: Revisioning the Home in Harriet Prescott Spofford’s Detective Fiction
title_short Of Women, Wine and Salt: Revisioning the Home in Harriet Prescott Spofford’s Detective Fiction
title_sort of women wine and salt revisioning the home in harriet prescott spofford s detective fiction
topic Harriet Prescott Spofford
detective fiction
gender roles
home
cellars
url https://journals.openedition.org/ejas/15021
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