Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricality
Stage directions are a special type of genre in theater, ranging from indications for the dramatic text to the emergence of the author’s voice. In Eugène Ionesco’s case, stage directions go beyond his plays and find another function in his critical writings and in his correspondence with directors....
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Format: | Article |
Language: | English |
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Universidade Federal do Rio Grande do Sul
2016-05-01
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Series: | Revista Brasileira de Estudos da Presença |
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Online Access: | http://www.seer.ufrgs.br/index.php/presenca/article/view/60627 |
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author | Viviane Araújo Alves da Costa Pereira |
author_facet | Viviane Araújo Alves da Costa Pereira |
author_sort | Viviane Araújo Alves da Costa Pereira |
collection | DOAJ |
description | Stage directions are a special type of genre in theater, ranging from indications for the dramatic text to the emergence of the author’s voice. In Eugène Ionesco’s case, stage directions go beyond his plays and find another function in his critical writings and in his correspondence with directors. In this paper, we analyze how stage directions function in the texts published in Notes et contre-notes and in the manuscripts housed in Ionesco’s Archives, from the perspective of a theoretical debate that involves Bernard Dort, Roland Barthes and Luiz Fernando Ramos, among other researchers interested in theatricality. |
first_indexed | 2024-12-10T14:45:00Z |
format | Article |
id | doaj.art-caeb4fe295854ba7b8360b2ec5472c90 |
institution | Directory Open Access Journal |
issn | 2237-2660 2237-2660 |
language | English |
last_indexed | 2024-12-10T14:45:00Z |
publishDate | 2016-05-01 |
publisher | Universidade Federal do Rio Grande do Sul |
record_format | Article |
series | Revista Brasileira de Estudos da Presença |
spelling | doaj.art-caeb4fe295854ba7b8360b2ec5472c902022-12-22T01:44:36ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602237-26602016-05-0126331351Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricalityViviane Araújo Alves da Costa Pereira 0Universidade Federal do Paraná – UFPR, Curitiba/PR, Brazil Stage directions are a special type of genre in theater, ranging from indications for the dramatic text to the emergence of the author’s voice. In Eugène Ionesco’s case, stage directions go beyond his plays and find another function in his critical writings and in his correspondence with directors. In this paper, we analyze how stage directions function in the texts published in Notes et contre-notes and in the manuscripts housed in Ionesco’s Archives, from the perspective of a theoretical debate that involves Bernard Dort, Roland Barthes and Luiz Fernando Ramos, among other researchers interested in theatricality.http://www.seer.ufrgs.br/index.php/presenca/article/view/60627TheatricalityStage DirectionsEugène IonescoNotes and Counter notesManuscripts |
spellingShingle | Viviane Araújo Alves da Costa Pereira Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricality Revista Brasileira de Estudos da Presença Theatricality Stage Directions Eugène Ionesco Notes and Counter notes Manuscripts |
title | Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricality |
title_full | Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricality |
title_fullStr | Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricality |
title_full_unstemmed | Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricality |
title_short | Stage Directions Beyond Theater: Eugène Ionesco’s exercise in theatricality |
title_sort | stage directions beyond theater eugene ionesco s exercise in theatricality |
topic | Theatricality Stage Directions Eugène Ionesco Notes and Counter notes Manuscripts |
url | http://www.seer.ufrgs.br/index.php/presenca/article/view/60627 |
work_keys_str_mv | AT vivianearaujoalvesdacostapereira stagedirectionsbeyondtheatereugeneionescosexerciseintheatricality |