Cinema as Archeology: The Acousmêtre and the Multiple Layering of Temporality and Spatiality
<p>Michel Chion’s concept of the “<em>acousmêtre</em>” is useful when exploring the spectator’s cinematic experience in regard to the juxtaposition of sound and image, as the acousmatic presence troubles the false sense of unity that is created by the synchronization of sound and i...
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| Format: | Article |
| Language: | English |
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University Library System, University of Pittsburgh
2011-05-01
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| Series: | Contemporaneity: Historical Presence in Visual Culture |
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| Online Access: | http://contemporaneity.pitt.edu/ojs/index.php/contemporaneity/article/view/22 |