Vivian Qu’s Angels Wear White: Vulnerable Young Girls and Resistance in Contemporary China

Focusing on Vivian Qu’s Angels Wear White (2017), this paper uses Judith Butler’s discussion of vulnerability, resistance, and performativity as a theoretical framework to analyse the film’s narrative and directing choices when addressing issues of sexual assault on minors and genders norms in co...

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Main Author: Reynaud, Bérénice M.
Format: Article
Language:English
Published: Fondazione Università Ca’ Foscari 2023-12-01
Series:Annali di Ca’ Foscari: Serie Orientale
Subjects:
Online Access:http://doi.org/10.30687/AnnOr/2385-3042/2023/02/004
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author Reynaud, Bérénice M.
author_facet Reynaud, Bérénice M.
author_sort Reynaud, Bérénice M.
collection DOAJ
description Focusing on Vivian Qu’s Angels Wear White (2017), this paper uses Judith Butler’s discussion of vulnerability, resistance, and performativity as a theoretical framework to analyse the film’s narrative and directing choices when addressing issues of sexual assault on minors and genders norms in contemporary China. The film’s depiction of social inequalities, economic precariousness, corruption, and the construction and performance of femininity demonstrates the way Chinese women are vulnerable to violence – sexual or not – and to gender norms they are expected to conform to, without falling into the trap of paternalism and victimisation.
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spelling doaj.art-cb3a5137b82b42ec84b53d4dafc422b92023-12-01T15:28:32ZengFondazione Università Ca’ FoscariAnnali di Ca’ Foscari: Serie Orientale2385-30422023-12-0159210.30687/AnnOr/2385-3042/2023/02/004journal_article_11215Vivian Qu’s Angels Wear White: Vulnerable Young Girls and Resistance in Contemporary ChinaReynaud, Bérénice M.0University of Aix-Marseille, France Focusing on Vivian Qu’s Angels Wear White (2017), this paper uses Judith Butler’s discussion of vulnerability, resistance, and performativity as a theoretical framework to analyse the film’s narrative and directing choices when addressing issues of sexual assault on minors and genders norms in contemporary China. The film’s depiction of social inequalities, economic precariousness, corruption, and the construction and performance of femininity demonstrates the way Chinese women are vulnerable to violence – sexual or not – and to gender norms they are expected to conform to, without falling into the trap of paternalism and victimisation. http://doi.org/10.30687/AnnOr/2385-3042/2023/02/004Chinese art-house cinema. Feminism. Resistance. Sexual assault. Vulnerability
spellingShingle Reynaud, Bérénice M.
Vivian Qu’s Angels Wear White: Vulnerable Young Girls and Resistance in Contemporary China
Annali di Ca’ Foscari: Serie Orientale
Chinese art-house cinema. Feminism. Resistance. Sexual assault. Vulnerability
title Vivian Qu’s Angels Wear White: Vulnerable Young Girls and Resistance in Contemporary China
title_full Vivian Qu’s Angels Wear White: Vulnerable Young Girls and Resistance in Contemporary China
title_fullStr Vivian Qu’s Angels Wear White: Vulnerable Young Girls and Resistance in Contemporary China
title_full_unstemmed Vivian Qu’s Angels Wear White: Vulnerable Young Girls and Resistance in Contemporary China
title_short Vivian Qu’s Angels Wear White: Vulnerable Young Girls and Resistance in Contemporary China
title_sort vivian qu s angels wear white vulnerable young girls and resistance in contemporary china
topic Chinese art-house cinema. Feminism. Resistance. Sexual assault. Vulnerability
url http://doi.org/10.30687/AnnOr/2385-3042/2023/02/004
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